{"product_id":"burnet-rose-rosa-pimpinellifolia-mariaeburgensis-by-pierre-joseph-redoute-1817","title":"Burnet Rose (Rosa pimpinellifolia Mariaeburgensis) by Pierre Joseph Redouté, 1817","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eRosa Pimpinellifolia Mariaeburgensis\u003c\/em\u003e, dated 1817 and published between 1817 and 1824, presents the Marienbourg rose as a carefully ordered botanical specimen. A branching stem rises along the left of the composition, carrying open white flowers delicately touched with pink, tightly folded buds and richly articulated green leaves. Below and to the right, a single dark, rounded fruit provides a compact visual counterweight. Against the pale beige ground, each part remains distinct, yet the arrangement retains the ease and irregularity of living growth.\u003c\/p\u003e\n\n\u003cp\u003eRedouté was among the most admired botanical artists of early nineteenth-century France, celebrated for combining scientific attentiveness with unusually refined colour and composition. Often described as the “Raphael of flowers”, he worked at a moment when botanical illustration served several audiences at once: recording the identifying structures of plants, answering a growing enthusiasm for their classification, and offering images of considerable decorative sophistication. His flower studies appealed accordingly to botanists, gardeners and collectors, their clarity never separated from a sensitive understanding of shape, rhythm and colour.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe principal cluster occupies the upper left, where several open roses overlap without becoming crowded. Their petals move from creamy white towards the palest blush at the edges, while small yellow stamens punctuate the centres. Redouté differentiates the petals through minute tonal shifts rather than emphatic outlines: some curl forwards into the light, while others turn inward or disappear beneath neighbouring folds. Nearby buds record earlier stages of flowering, from slender closed forms to blossoms just beginning to loosen.\u003c\/p\u003e\n\n\u003cp\u003eThe foliage creates a darker, more structured passage through the centre-left. Individual leaves vary subtly in size, angle and shade, with fine veins tracing their surfaces and serrated edges giving the greenery a crisp silhouette. This close observation is not merely descriptive; it creates a pattern of alternating points, curves and branching stems that carries the eye down the page. The rose’s small fruit, isolated in the lower right, is rendered in deep reddish-brown tones with a restrained highlight that establishes its smooth, spherical volume.\u003c\/p\u003e\n\n\u003cp\u003eMuch of the study’s elegance depends upon what Redouté leaves unoccupied. The broad expanse of pale ground allows the stem’s asymmetrical structure to be read immediately and prevents the botanical detail from feeling dense. At the lower centre, the French name \u003cem\u003eRosier de Marienbourg\u003c\/em\u003e anchors the specimen with the restrained typography characteristic of a botanical plate. A smaller inscription at the lower right, recorded as “Chrysog. sculp.”, offers a quiet reminder that such illustrations also belonged to a collaborative culture of publication.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eBotanical plates of this period occupied a productive space between scientific document and cultivated art. Their purpose demanded recognisable blossoms, foliage, buds and fruit, but their effectiveness also relied upon intelligent visual editing: the selection of a representative branch, the spacing of its elements and the use of shading to make structure legible. In Redouté’s hands, this discipline became a distinctive aesthetic. The specimen is isolated from garden, vase and landscape, yet it does not appear inert; the sequence from bud to flower and fruit suggests the plant’s changing life within a single composed study.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eRosa Pimpinellifolia Mariaeburgensis\u003c\/em\u003e is especially rewarding in the balance it strikes between precision and delicacy. The crisp leaves, luminous petals and solitary dark fruit provide botanical information, while the measured intervals between them turn the page into an elegant study of branching form. It is this union of close observation and compositional grace that continues to distinguish Redouté’s roses.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/de\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 18x24in (45x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/de\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/de\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/de\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/de\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"8x10in (20x25cm) \/ Art print","offer_id":59999667257728,"sku":null,"price":54.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed art print","offer_id":59999667290496,"sku":null,"price":128.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed canvas","offer_id":59999667323264,"sku":null,"price":149.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Art print","offer_id":59999667356032,"sku":null,"price":54.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59999667388800,"sku":null,"price":128.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed 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