{"product_id":"ipomoea-plate-56-by-pierre-joseph-redoute-1805","title":"Ipomoea (Plate 56) by Pierre Joseph Redouté, 1805","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eLa botanique de J. J. Rousseau, Pl. 56\u003c\/em\u003e, published in 1805, presents four studies of \u003cem\u003eIpomoea\u003c\/em\u003e, the genus widely associated with morning glories. Rather than describing a complete plant from root to stem, Redouté concentrates attention on the flowers themselves. A large, many-petalled pink bloom occupies the centre, accompanied by smaller examples in pale rose, deep violet and luminous yellow. Their scattered arrangement and generous cream ground give each form the clarity of a specimen while preserving the grace of a floral composition.\u003c\/p\u003e\n\n\u003cp\u003eRedouté was among the most admired botanical artists working in France around the turn of the nineteenth century. His images belong to a period in which botanical illustration was indispensable to the study, classification and circulation of knowledge about plants. Yet his plates were never merely utilitarian: close observation is matched by an exceptional sensitivity to contour, colour and spacing. The publication’s connection with Jean-Jacques Rousseau also recalls the philosopher’s serious engagement with botany, a subject he valued as a disciplined form of attention to the natural world.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe eye settles first on the central pink flower, whose layered petals unfold in pale blush, white and stronger rose tones. Fine lines follow the folds and veins of the petals, while subtle changes in shading distinguish one overlapping layer from the next. Its complexity is set against the simpler flower at the upper left: a small, open form with lightly veined, pale-pink petals and delicate deepening of colour along their edges.\u003c\/p\u003e\n\n\u003cp\u003eAt the upper right, the violet bloom provides the composition’s coolest and most concentrated note. Its darker corolla surrounds slight yellow accents at the centre, a minute detail that rewards close attention. Below it, the broad, rounded petals of the yellow flower introduce warmth without appearing uniform; small tonal variations give the surface a natural softness. Near the lower edge, a fragment of green offers the only pronounced reference to foliage, keeping the plate’s emphasis firmly upon comparative floral form.\u003c\/p\u003e\n\n\u003cp\u003eAlthough the specimens differ in size, colour and complexity, they remain connected by the precision of Redouté’s outlines and the restraint of the setting. The empty ground is active rather than incidental: it prevents the four blooms from crowding one another and allows their silhouettes to be compared. A fine serif inscription in the lower margin, including the words “de l’Ipoméaire, de Longchamps”, anchors the otherwise airy arrangement within the ordered language of a botanical plate.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eBotanical publications of Redouté’s era occupied a fertile territory between science and art. Before photography, the illustrator had to make structure legible while retaining the particular character of a living specimen. Redouté’s reputation rests in large part on his ability to reconcile these demands. Here, clarity does not produce stiffness: the petals remain supple, their colours modulated with unusual delicacy, while the measured spacing makes differences of shape immediately intelligible.\u003c\/p\u003e\n\n\u003cp\u003ePlate 56 is especially engaging because it avoids the conventional single-stem format. Its four isolated blossoms read almost as a concise visual essay on variation within \u003cem\u003eIpomoea\u003c\/em\u003e. Warm and cool colours, elaborate and simple forms, and large and small specimens are brought into quiet correspondence—an arrangement at once instructive, decorative and characteristic of Redouté’s refined botanical vision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/de\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 18x24in (45x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/de\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/de\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/de\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/de\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"8x10in (20x25cm) \/ Art print","offer_id":59958585983360,"sku":null,"price":53.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed art print","offer_id":59958586016128,"sku":null,"price":127.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed canvas","offer_id":59958586048896,"sku":null,"price":148.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Art print","offer_id":59958586081664,"sku":null,"price":53.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59958586114432,"sku":null,"price":127.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed 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