{"product_id":"plum-prunus-domestica-plate-44-by-pierre-joseph-redoute-1805","title":"Plum (Prunus domestica, Plate 44) by Pierre Joseph Redouté, 1805","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eLa botanique de J. J. Rousseau, Pl. 44\u003c\/em\u003e, published in 1805, presents the European plum (\u003cem\u003ePrunus domestica\u003c\/em\u003e) as a poised vertical study of fruit, foliage and stem. Several ripe plums hang among fresh green leaves, their deep purple skins lending the composition its richest colour. The branch occupies the centre of an otherwise open field, allowing its slender structure and natural asymmetry to be read with unusual clarity.\u003c\/p\u003e\n\n\u003cp\u003eThe plate was created for \u003cem\u003eLa botanique de J. J. Rousseau\u003c\/em\u003e, a publication that brought scientific observation into dialogue with the Enlightenment fascination with nature and classification. Redouté was among the most accomplished botanical artists of his age, admired for combining close scrutiny of plant form with remarkable delicacy. Here, aesthetic refinement never obscures the specimen: leaf attachment, branching habit, fruit and surface texture are all made readily intelligible, reflecting the dual role of botanical illustration as both an instrument of study and an art of sustained looking.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe composition rises from a narrow brown stem in the lower portion of the plate. Its slight bends establish a gentle rhythm, leading upwards through alternating leaves towards the clustered fruit. Rather than arranging the specimen into rigid symmetry, Redouté preserves the irregularity of growth: one leaf projects laterally, another turns to reveal its curvature, while those above overlap and spread into the surrounding negative space. The generous pale ground isolates each contour and gives even the smallest junction between stem and leaf visual importance.\u003c\/p\u003e\n\n\u003cp\u003eAcross the foliage, fine veins extend from clearly articulated central ribs, with restrained tonal changes suggesting folded, convex and gently twisting surfaces. The greens shift subtly according to the fall of light; brighter passages make parts of the leaves appear almost translucent, while quiet shadows establish depth without hardening their forms. Their pointed edges and varied angles provide a crisp counterpoint to the plums’ rounded weight.\u003c\/p\u003e\n\n\u003cp\u003eThe fruit forms the plate’s dark chromatic centre. Purple deepens towards near-black in the shaded areas, then softens through muted gradations around the curves. Small highlights create a smooth, faintly glossy surface, making the plums appear both substantial and ripe. Beneath the botanical study, the inscriptions “Dessiné par P. J. Redouté” at lower left and “de l’Imprimerie de Langlois” at lower right quietly locate the plate within the collaborative world of early nineteenth-century natural-history publishing.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eRedouté’s reputation rests on his ability to reconcile descriptive accuracy with visual grace. His plants are not treated as decorative motifs detached from observation; nor are they reduced to schematic diagrams. Instead, each specimen is organised so that its identifying structures remain legible while colour, spacing and contour give it an independent artistic presence. This plum branch is especially effective because its subject is familiar: an everyday cultivated fruit becomes worthy of the same concentrated attention as a rare flower.\u003c\/p\u003e\n\n\u003cp\u003eNatural-history books of this period increasingly sought to make specialist knowledge accessible to a wider scholarly readership. In such publications, botanical plates did more than embellish written descriptions. They clarified structure, aided comparison and encouraged readers to recognise plants through careful visual study. Plate 44 retains that lucid educational character, yet its spare arrangement, luminous foliage and dark fruit also reveal why Redouté’s botanical work continues to be appreciated beyond its original scientific setting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/de\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 18x24in (45x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/de\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/de\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/de\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/de\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"8x10in (20x25cm) \/ Art print","offer_id":59958058451328,"sku":null,"price":53.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed art print","offer_id":59958058484096,"sku":null,"price":127.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed canvas","offer_id":59958058516864,"sku":null,"price":148.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Art print","offer_id":59958058549632,"sku":null,"price":53.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59958058582400,"sku":null,"price":127.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed 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