{"product_id":"rose-rosa-indica-sertulata-by-pierre-joseph-redoute-1817","title":"Rose (Rosa indica sertulata) by Pierre Joseph Redouté, 1817","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eRosa Indica Sertulata\u003c\/em\u003e, published in 1817, presents a flowering rose stem as both botanical specimen and carefully balanced composition. Three richly coloured blooms occupy the central passage, their densely layered petals shifting from deep crimson towards softer red and pink at the edges. Above them, clustered buds mark successive stages of opening, while the slender, thorned stem descends into a fan of serrated green leaves. Set against a pale cream ground, every contour remains unusually clear.\u003c\/p\u003e\n\n\u003cp\u003eThe plate belongs to Redouté’s celebrated study of roses, published between 1817 and 1824. Trained in the exacting traditions of botanical illustration, the Belgian-born artist worked in France and became renowned for reconciling scientific observation with the elegance expected by courtly patrons and collectors. His familiar epithet, the “Raphael of flowers”, reflects the esteem in which his floral studies were held. In Redouté’s hands, botanical illustration was not merely descriptive: it made the structures of cultivated plants legible while preserving their variety, delicacy and visual character.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe composition rises lightly from the lower edge rather than filling the page. Its asymmetry follows the growth of the plant: leaves spread laterally near the base, the principal blooms gather around the middle, and smaller buds extend into the open upper field. This progression gives the stem a quiet upward rhythm. Generous negative space prevents the clustered flowers from appearing heavy, allowing the finest details—tiny thorns, leaf stalks and curling petal edges—to register distinctly.\u003c\/p\u003e\n\n\u003cp\u003eRedouté differentiates each stage of flowering with particular care. The central roses are fully expanded, but no two present the same profile: one turns forward to reveal its tightly folded interior, while its companions are seen at gentler angles. Higher along the stem, closed and partly opened buds provide more compact forms. Their green sepals and pink-red tips create small points of transition between foliage and flower, making the plate a study not only of appearance but also of development.\u003c\/p\u003e\n\n\u003cp\u003eThe foliage is equally attentive. Individual leaflets have sharply serrated margins and clearly described veins, with darker greens gathering along their folds and undersides. These cooler, firmer forms set off the warmer softness of the petals. Subtle tonal gradations give the blooms their velvety depth without sacrificing the clarity of their outlines; overlaps between petals, flowers and leaves produce a convincing sense of volume against the otherwise unmodulated ground. Along the lower edge, the identifying inscription reads “Rosa Indica Sertulata. Le Bengalé à Bouquets”, anchoring the graceful arrangement within the classificatory language of botanical study.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eEarly nineteenth-century botanical plates occupied a productive space between science and connoisseurship. They recorded the distinguishing features of plants for study, yet were also made for an audience fascinated by horticulture and the expanding range of cultivated flowers. Roses were particularly suited to Redouté’s approach: their botanical structures demanded precision, while their complex petals offered ample scope for finely judged colour and tonal modelling.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eRosa Indica Sertulata\u003c\/em\u003e exemplifies that dual purpose. The thorns, veins, serrations and stages of bloom are observed with discipline, but the specimen is never reduced to a diagram. Through spacing, colour and the measured ascent of the stem, Redouté gives a single cultivated rose the presence of a formal portrait—clear enough for examination, yet composed with remarkable grace.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/de\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 18x24in (45x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/de\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/de\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/de\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/de\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"8x10in (20x25cm) \/ Art print","offer_id":59999715262848,"sku":null,"price":54.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed art print","offer_id":59999715295616,"sku":null,"price":128.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed canvas","offer_id":59999715328384,"sku":null,"price":149.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Art print","offer_id":59999715361152,"sku":null,"price":54.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59999715393920,"sku":null,"price":128.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed 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