{"product_id":"asparagus-trichophyllus-plate-30-by-pierre-joseph-redoute-1805","title":"Asparagus trichophyllus (Plate 30) by Pierre Joseph Redouté, 1805","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eLes liliacées, Pl. 30\u003c\/em\u003e, published in 1805, presents \u003cem\u003eAsparagus trichophyllus\u003c\/em\u003e as a slender, ascending structure of green stems, fine needle-like foliage and small golden-yellow buds. The plant rises through an expanse of warm cream, its delicate offshoots spreading outwards without disturbing the plate’s striking sense of openness. Rather than filling the page, Redouté uses space to clarify each branching stem and tapered leaf, giving the specimen both botanical precision and an unusually airy elegance.\u003c\/p\u003e\n\n\u003cp\u003eThe plate belongs to \u003cem\u003eLes liliacées\u003c\/em\u003e, Redouté’s celebrated early nineteenth-century study of lilies and related plants. Often known as the “Raphael of flowers”, Redouté helped establish a botanical language in which close scientific observation and decorative refinement could coexist. His work emerged during an era of sustained interest in identifying, classifying and illustrating the natural world, when botanical publications served as both scholarly resources and objects of visual pleasure. Here, the plant is isolated from habitat and presented for inspection, yet the carefully judged composition prevents it from feeling merely diagrammatic.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe principal stem follows the central vertical axis, but its many fine branches keep the arrangement from becoming rigid. Lower down, the foliage gathers more densely around the base, establishing a visual foundation. Above it, the plant becomes progressively lighter and more open: narrow leaves project at varied angles, while the uppermost shoots divide into increasingly slender lines. This gradual transition from fullness to sparseness draws the eye upwards and emphasises the plant’s fine, almost feathery structure.\u003c\/p\u003e\n\n\u003cp\u003eColour is applied with considerable restraint. Soft greens describe the stems and foliage, shifting subtly in tone rather than forming a single flat mass. Against them, the small yellow buds appear as measured points of warmth, distributed along the plant rather than concentrated in one dominant bloom. The pale cream ground contributes actively to the composition, allowing even the thinnest green contours to remain legible and giving the entire specimen a luminous clarity.\u003c\/p\u003e\n\n\u003cp\u003eClose viewing reveals how much variety Redouté finds within an apparently limited subject. Leaves taper to exceptionally fine points; stems overlap and separate in a carefully controlled network; and slight tonal changes help distinguish one shoot from another. At the foot of the plate, the cursive botanical label, including the name \u003cem\u003eAsparagus trichophyllus\u003c\/em\u003e, anchors the floating specimen in the classificatory purpose of the publication. Its elegant lettering also forms a quiet visual counterpoint to the more irregular rhythms of the plant above.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eRedouté’s reputation rests on precisely this reconciliation of information and grace. Botanical illustration required sufficient accuracy for plants to be recognised and compared, but his plates also gave close attention to balance, texture and the expressive possibilities of contour. The soft tonal modelling associated with his printed work produces effects reminiscent of watercolour, particularly in the gentle transitions of green and the understated yellow accents seen here.\u003c\/p\u003e\n\n\u003cp\u003e\u003cem\u003eLes liliacées, Pl. 30\u003c\/em\u003e is especially compelling for what it does not exaggerate. There is no theatrical flower or dense profusion of colour; instead, Redouté builds the composition from branching lines, small buds and generous negative space. The result rewards both botanical interest and sustained visual attention, transforming a modest specimen into a study of rhythm, proportion and minute natural form.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/es\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 36x24in (90x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/es\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/es\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/es\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/es\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"A4 (210x297mm) \/ Art print","offer_id":59998170284416,"sku":null,"price":54.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59998170317184,"sku":null,"price":128.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed canvas","offer_id":59998170349952,"sku":null,"price":149.0,"currency_code":"AUD","in_stock":true},{"title":"12x18in (30x45cm) \/ Art print","offer_id":59998170382720,"sku":null,"price":83.0,"currency_code":"AUD","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed art print","offer_id":59998170415488,"sku":null,"price":224.0,"currency_code":"AUD","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed 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