{"product_id":"italian-clematis-clematis-viticella-plate-25-by-pierre-joseph-redoute-1827","title":"Italian Clematis (Clematis viticella, Plate 25) by Pierre Joseph Redouté, 1827","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eChoix des plus belles fleurs\u003c\/em\u003e, plate 25, published in 1827, presents the climbing \u003cem\u003eClematis viticella\u003c\/em\u003e against a pale, unencumbered ground. A fully opened purple flower occupies the centre, its gently twisting, petal-like segments gathered around fine yellow stamens, while blue-violet buds, veined leaves and searching tendrils describe the plant at several stages of growth. The arrangement is scientifically lucid yet far from rigid: stems arc across the page and foliage spreads unevenly, giving the specimen the buoyant movement of a living climber.\u003c\/p\u003e\n\n\u003cp\u003eThe plate belongs to Redouté’s \u003cem\u003eChoix des plus belles fleurs\u003c\/em\u003e—a title meaning “selection of the most beautiful flowers”—one of the works through which the celebrated French botanical illustrator united close observation with cultivated elegance. Working in Paris and enjoying royal and imperial patronage, including that of Empress Joséphine, Redouté became one of the defining figures of early nineteenth-century flower painting. His illustrations appeared at a time when botany occupied an increasingly prominent place in scientific study, education and fashionable culture; they enabled plants to be examined, classified and admired with equal seriousness.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe composition rises through a loose network of diagonals. In the lower centre, a broad green leaf establishes visual weight, its pale vein structure carefully mapped across a smooth surface. Smaller leaves turn in different directions around it, introducing variations of contour: some margins appear softly rounded, while others are more sharply articulated. Rather than presenting the foliage as a repeated decorative motif, Redouté records changes in angle, scale and illumination, so that each leaf contributes to the plant’s structure.\u003c\/p\u003e\n\n\u003cp\u003eAbove this green foundation, the purple bloom becomes the chromatic focus. Its segments shift from deep violet at the folds to softer lavender where they catch the light, lending volume without heavy shadow. On the left, several bell-like buds remain closed or only partly opened, their cooler blue tones providing a restrained counterpoint to the central flower. Slender tendrils extend towards the right and upper edges, where the composition becomes lighter and more open. These fine, curling lines are especially effective against the generous negative space, suggesting the exploratory habit of a climbing plant without the need for a garden setting or supporting trellis.\u003c\/p\u003e\n\n\u003cp\u003eAt the lower edge, the delicately scripted label “Clematis Viticella.” anchors the specimen in botanical nomenclature. The contrast between this concise identification and the plant’s expansive growth is characteristic of the plate’s balance: it is at once a record for study and a carefully orchestrated floral portrait. Particularly rewarding are the small transitions—the muted blue of an unopened bud, the pale tracery within a leaf, and the subtle tonal changes that distinguish overlapping parts of the flower.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eRedouté’s achievement lay in preserving botanical specificity while allowing an individual plant to command the page with the presence of a formal portrait. In \u003cem\u003eChoix des plus belles fleurs\u003c\/em\u003e, specimens were selected not merely as diagrams but as subjects worthy of sustained aesthetic attention. Plate 25 exemplifies that approach: the clematis is isolated for clarity, yet its asymmetric spread, varied stages of flowering and elegant linear rhythm prevent the composition from feeling static.\u003c\/p\u003e\n\n\u003cp\u003eThe result embodies a fruitful meeting of science and decorative art. Every stem, bud and vein contributes information, but the restrained palette and spacious setting make the plant immediately legible as a whole. Nearly two centuries later, Redouté’s clematis remains compelling because observation and arrangement are so finely matched: growth appears spontaneous, while nothing on the page feels accidental.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/it\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 18x24in (45x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/it\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/it\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/it\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/it\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"8x10in (20x25cm) \/ Art print","offer_id":59958064808320,"sku":null,"price":53.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed art print","offer_id":59958064841088,"sku":null,"price":127.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed canvas","offer_id":59958064873856,"sku":null,"price":148.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Art print","offer_id":59958064906624,"sku":null,"price":53.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59958064939392,"sku":null,"price":127.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed 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