{"product_id":"medeola-asparagoides-and-medeola-sarmentosa-plate-21-by-pierre-joseph-redoute-1805","title":"Medeola asparagoides and Medeola sarmentosa (Plate 21) by Pierre Joseph Redouté, 1805","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eLes Liliacées, Plate 21\u003c\/em\u003e, dating from 1805, presents the plants catalogued as \u003cem\u003eMedeola asparagoides\u003c\/em\u003e and \u003cem\u003eMedeola sarmentosa\u003c\/em\u003e in an arrangement of unusual lightness. A slender stem carries a cascade of fresh green leaves towards the lower left, while small, pale yellow flowers emerge discreetly among the foliage. The plant occupies only part of the pale ground; generous space to the upper right gives its branching form room to unfold and makes the asymmetrical composition feel poised rather than crowded.\u003c\/p\u003e\n\n\u003cp\u003eRedouté created the plate for \u003cem\u003eLes Liliacées\u003c\/em\u003e, his influential early nineteenth-century study of lilies and related plants, published between 1805 and 1816. At a time of intense European interest in horticulture and scientific classification, botanical illustration had to make specimens legible while preserving their particular character. Redouté was especially admired for reconciling those demands. His watercolour-style engravings united close botanical observation with a refined sense of placement, contour and colour, helping to establish a standard for natural-history illustration in which scientific information and decorative elegance reinforce one another.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe eye first meets the dense passage of leaves at the upper and central left. Their greens shift from bright, almost yellow-green highlights to cooler and deeper tones, preventing the foliage from becoming a single flat mass. Fine veins articulate individual leaves, while tapered lines clarify the points at which they join the stem. The overlapping forms create a shallow but convincing sense of structure: one leaf turns forward, another falls behind, and others extend laterally into the surrounding blank space.\u003c\/p\u003e\n\n\u003cp\u003eNear the lower centre, the flowers introduce a quieter note. Their creamy yellow colouring is restrained against the more assertive foliage, and subtle shading gives the small forms a degree of volume without disturbing the plate’s overall clarity. Redouté’s control is evident in the transitions between contour and wash-like colour: edges are precise where identification requires it, yet the tonal modelling remains soft. The result is neither a diagram nor an idealised bouquet, but a carefully balanced meeting of the two.\u003c\/p\u003e\n\n\u003cp\u003eThe pale background plays an active compositional role. Its openness isolates each branching stem and delicate flower, while the broad unoccupied area at the upper right counterbalances the plant’s leftward lean. At the foot of the plate, a lightly drawn supplementary botanical detail offers a closer indication of floral structure. To the lower right, the flowing inscription “Medeola Sarmentosa” anchors the composition without competing with it; its elegant script also reflects the close relationship between naming and looking within historical botanical publications.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003e\u003cem\u003eLes Liliacées\u003c\/em\u003e belongs to a period when illustrated botanical books served scientific, horticultural and aesthetic interests simultaneously. Plants were recorded for comparison and classification, but the plates also addressed readers who valued cultivated specimens as objects of visual study. Redouté’s achievement lay in making those purposes appear effortless. Here, minute distinctions in leaf shape, attachment and flower structure remain readily visible, while the specimen retains the rhythm and irregularity of a living plant.\u003c\/p\u003e\n\n\u003cp\u003ePlate 21 is particularly compelling for the economy of its design. Its subject is not made imposing through scale or theatrical setting; instead, attention gathers around modest shifts of green, the fine architecture of the stem and the carefully preserved intervals between leaves. That combination of exactness and spaciousness is central to Redouté’s enduring appeal, and to the broader tradition of botanical art at its most observant.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/it\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 36x24in (90x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/it\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/it\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/it\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/it\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"A4 (210x297mm) \/ Art print","offer_id":59991594926464,"sku":null,"price":53.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59991594959232,"sku":null,"price":128.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed canvas","offer_id":59991594992000,"sku":null,"price":149.0,"currency_code":"AUD","in_stock":true},{"title":"12x18in (30x45cm) \/ Art print","offer_id":59991595024768,"sku":null,"price":83.0,"currency_code":"AUD","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed art print","offer_id":59991595057536,"sku":null,"price":223.0,"currency_code":"AUD","in_stock":true},{"title":"12x18in (30x45cm) \/ Framed 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