{"product_id":"rosa-indica-fragrans-flore-simplici-by-pierre-joseph-redoute-1817","title":"Rosa indica fragrans flore simplici by Pierre Joseph Redouté, 1817","description":"\u003cp\u003ePierre-Joseph Redouté’s \u003cem\u003eRosa Indica Fragrans Flore Simplici\u003c\/em\u003e, published in 1817, presents a flowering rose as a complete botanical structure rather than a detached bouquet. Two open pink blossoms occupy the upper centre, their yellow stamens held within loosely layered petals, while a closed bud, thorned stem and branching leaves trace the plant’s development beneath them. Against the unmarked, warm off-white ground, every contour remains distinct: soft petals are set against sharply serrated foliage, and the graceful upward movement of the stem is checked by small, precisely observed thorns.\u003c\/p\u003e\n\n\u003cp\u003eRedouté was among the most admired botanical artists of the early nineteenth century, celebrated for reconciling scientific description with an exceptional sense of pictorial refinement. Often called the “Raphael of flowers”, he worked at a time when botany, horticulture and the cultivation of plants from beyond Europe attracted intense scholarly and fashionable interest. His flower studies reached audiences well beyond specialist botanists: their clarity made them informative, while their spacious compositions and delicately modulated colour gave cultivated specimens the presence of formal portraits. This rose exemplifies that dual purpose, recording leaves, bud and bloom while arranging them into an image of remarkable poise.\u003c\/p\u003e\n\n\u003ch3\u003eA closer look\u003c\/h3\u003e\n\n\u003cp\u003eThe composition rises from a slender stem near the lower centre, where the plant’s defensive character is especially evident. Pointed thorns project at intervals, their hard silhouettes contrasting with the softer mass of foliage above. The leaves divide into elongated, finely veined forms with subtly toothed edges. Some turn towards the light and appear fresh green; others deepen into cooler, shadowed tones, creating a layered canopy without sacrificing botanical legibility.\u003c\/p\u003e\n\n\u003cp\u003eAbove this foliage, the two flowers are similar enough to form a pair yet sufficiently varied to avoid rigid symmetry. One opens more directly towards the viewer, exposing its warm yellow centre, while the other turns slightly, allowing overlapping petals to establish a shallow sense of depth. Their pink is not uniform: it gathers more strongly along folds and outer edges before paling towards the highlighted surfaces. These gentle tonal transitions suggest the thinness and slight translucency of rose petals without making the rendering appear theatrical.\u003c\/p\u003e\n\n\u003cp\u003eThe bud at middle right provides a quieter counterpoint to the expanded blooms. Green sepals enclose the emerging pink, linking the colour of the flowers to that of the leaves and showing another stage in the plant’s cycle. Redouté leaves ample space around these elements, so that even small features—the leaf veins, serrations and junctions of branching stems—can be read clearly. Along the lower edge, the flowing inscription “Rosa indica fragrans flore simplici” serves as both identification and an elegant visual conclusion.\u003c\/p\u003e\n\n\u003ch3\u003eContext and significance\u003c\/h3\u003e\n\n\u003cp\u003eBotanical illustration in Redouté’s period occupied a fertile territory between scientific record and decorative art. A successful plate needed to distinguish the plant’s characteristic forms, yet it also had to convey the qualities that made a cultivated flower desirable. Here, the inclusion of open blossoms, an unopened bud, foliage and thorns gives the study descriptive breadth, while the restrained setting removes any distraction from the specimen itself.\u003c\/p\u003e\n\n\u003cp\u003eThe result is characteristically lucid: nothing is crowded, and no detail is merely ornamental. The rose’s appeal emerges through contrasts—tender bloom and armoured stem, luminous pink and deep green, natural irregularity and compositional balance. It is this equilibrium between exact observation and graceful arrangement that gives Redouté’s flower studies their enduring distinction.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoosing the right size and finish\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eArtwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.\u003c\/p\u003e\n\n\u003cp\u003eIf you need an exact size, specialist framing or help planning a larger display, \u003ca href=\"\/pages\/contact-us\"\u003eask our workshop for advice\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003eThe model in the listing images is holding the 18x24in (45x60cm) version of this art print.\u003c\/p\u003e\n\u003cp\u003eWhere personalisation is available, you can add a short title or dedication, or one considered visual detail. \u003ca href=\"\/pages\/map-personalisation\"\u003eSee examples of personalised artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eChoose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. \u003ca target=\"_blank\" href=\"\/pages\/sepia-aged-maps\"\u003eSee examples of our Aged artwork\u003c\/a\u003e.\u003c\/p\u003e\n\n\u003cp\u003eEvery piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.\u003c\/p\u003e\n\n\u003cp\u003eFramed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.\u003c\/p\u003e\n\n\u003cp\u003eSelected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and \u003ca target=\"_blank\" href=\"\/pages\/custom-framing\"\u003especialist framing\u003c\/a\u003e are also available. If the exact option you need is not listed, \u003ca target=\"_blank\" href=\"\/pages\/contact-us\"\u003econtact our workshop\u003c\/a\u003e.\u003c\/p\u003e","brand":"The Unique Maps Co.","offers":[{"title":"8x10in (20x25cm) \/ Art print","offer_id":59999668830592,"sku":null,"price":54.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed art print","offer_id":59999668863360,"sku":null,"price":128.0,"currency_code":"AUD","in_stock":true},{"title":"8x10in (20x25cm) \/ Framed canvas","offer_id":59999668896128,"sku":null,"price":149.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Art print","offer_id":59999668928896,"sku":null,"price":54.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed art print","offer_id":59999668961664,"sku":null,"price":128.0,"currency_code":"AUD","in_stock":true},{"title":"A4 (210x297mm) \/ Framed 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