Davos Winter Resort Travel Poster by Walther Koch, 1905
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
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Plazos de entrega
La entrega estándar es gratuita en todo el mundo y suele tardar alrededor de 3 días laborables. ¿Envía un regalo al extranjero? Producimos la mayoría de los pedidos localmente, en el país del destinatario.
Prevea tiempo adicional para el diseño y la aprobación de la prueba en los pedidos personalizados. Ver detalles de entrega.
Devoluciones: Los pedidos estándar pueden devolverse o cambiarse dentro de los 90 días posteriores a la entrega. Las piezas personalizadas y hechas a medida suelen quedar excluidas de las devoluciones por cambio de opinión. Consulte nuestra política de devoluciones.
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Elija dos obras elegibles y reciba un 25 % de descuento en ambas. Puede combinar mapas y arte.
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La Oferta del Coleccionista se aplica a las obras elegibles en configuraciones estándar hechas por encargo. Se excluyen los tamaños a medida, los diseños personalizados y los trabajos por encargo. Los productos con «personalised» o «custom» en su nombre suelen estar excluidos.
La oferta se gestiona como dos descuentos automáticos independientes: uno para formatos pequeños y otro para formatos grandes. Para poder beneficiarse, debe comprar dos obras elegibles dentro del mismo grupo de formato. Los mapas y las impresiones artísticas pueden combinarse dentro de cada grupo.
Por ejemplo, dos impresiones elegibles en A4 o de 8 × 10 pulgadas permiten obtener un 25 % de descuento en ambas. Una impresión de formato pequeño y una obra de formato grande no califican conjuntamente, ya que los artículos de distintos grupos de formato no pueden combinarse para cumplir el requisito de dos artículos.
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Añada un mensaje de regalo en su cesta y, a continuación, introduzca la dirección de entrega del destinatario al finalizar la compra. Imprimiremos su mensaje en una tarjeta. No se incluyen precios en el paquete.
Plazos de entrega
La entrega estándar es gratuita en todo el mundo y suele tardar alrededor de 3 días laborables. ¿Envía un regalo al extranjero? Producimos la mayoría de los pedidos localmente, en el país del destinatario.
Prevea tiempo adicional para el diseño y la aprobación de la prueba en los pedidos personalizados. Ver detalles de entrega.
Devoluciones: Los pedidos estándar pueden devolverse o cambiarse dentro de los 90 días posteriores a la entrega. Las piezas personalizadas y hechas a medida suelen quedar excluidas de las devoluciones por cambio de opinión. Consulte nuestra política de devoluciones.
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Walther Koch’s Winterkurort Davos, created in 1905, presents the Swiss Alpine resort as a landscape of poised winter calm. Snow-laden trees rise...
Seguir leyendoWalther Koch’s Winterkurort Davos, created in 1905, presents the Swiss Alpine resort as a landscape of poised winter calm. Snow-laden trees rise prominently at the left, their rounded forms framing a broad view across still blue water towards a sharply articulated mountain range. Above the scene, the destination’s name is announced in commanding lettering; below, the inscription ‘1560 M. GRAUBÜNDEN. SCHWEIZ’ locates Davos by altitude, canton and country. The result is both expansive landscape and concise advertisement, turning geography into desire through a striking contrast of cool blues, warm earth tones and brilliant snow.
The poster belongs to a period in which rail travel and an emerging culture of winter tourism were reshaping Alpine destinations. Davos was promoted not only for its scenery, but as a place associated with fresh air, health, sport and fashionable leisure. Koch’s design communicates those attractions without crowding the landscape with visitors or narrative incident. Instead, atmosphere does the persuasive work: clear air, open distance and an almost pristine stillness offer an idealised encounter with the mountains. The German title, meaning ‘winter resort Davos’, makes the commercial message direct, while the carefully staged panorama gives it emotional force.
A closer look
The foreground provides the poster’s strongest graphic forms. Heavy accumulations of snow sit upon the trees in soft, layered masses, with muted green foliage and brown branches emerging beneath. These rounded shapes are set against the crisp geometry of the distant peaks, creating a productive tension between softness and angularity. Across the lower foreground, dotted and stippled passages suggest granular snow and gently changing ground rather than describing every surface naturalistically.
From this sheltered foreground, the composition opens towards the centre. The calm lake acts as a horizontal interval between trees and mountains, carrying subdued blue reflections and slight tonal variations that imply depth. Small rocks appear beneath or close to the water’s surface, a modest detail within an otherwise simplified scene. Beyond, the mountain chain stretches across the full width of the poster, its snowfields broken into facets of white, ochre and shadowed blue. The peaks are dramatic without being forbidding: their sharp silhouettes are softened by the broad, muted sky, where pale yellowish notes suggest winter sunlight.
Typography is integral to the visual hierarchy. ‘WINTERKURORT DAVOS’ occupies the upper centre in bold capitals, immediately establishing the destination before the eye descends into the landscape. The smaller line at the foot functions almost like a geographic caption, with the altitude of 1,560 metres reinforcing Davos’s elevated setting. Dark vertical trunks at the right edge and the substantial tree forms at the left hold the vista between them, while the surrounding graphic border gives the entire design a firm architectural structure.
Context and significance
Early twentieth-century travel posters had to work at a distance and communicate quickly. Koch answers that demand through simplified contours, broad areas of colour and a clear progression from headline to scenery to practical location text. Yet the poster is more than an efficient announcement. Its selective vision of Davos reveals how mountain resorts were being imagined for a new travelling public: not as remote or hostile terrain, but as accessible places of elegance, recreation and restorative climate.
What remains particularly compelling is the restraint of the appeal. There are no busy platforms, crowded hotels or conspicuous sporting figures. Davos is represented through still water, deep snow and luminous distance, allowing the landscape itself to become the attraction. Koch’s poster thus preserves an early vision of Alpine winter tourism in which modern promotion and an ideal of untouched nature coexist with remarkable ease.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Walther Koch’s Winterkurort Davos, created in 1905, presents the Swiss Alpine resort as a landscape of poised winter calm. Snow-laden trees rise prominently at the left, their rounded forms framing a broad view across still blue water towards a sharply articulated mountain range. Above the scene, the destination’s name is announced in commanding lettering; below, the inscription ‘1560 M. GRAUBÜNDEN. SCHWEIZ’ locates Davos by altitude, canton and country. The result is both expansive landscape and concise advertisement, turning geography into desire through a striking contrast of cool blues, warm earth tones and brilliant snow.
The poster belongs to a period in which rail travel and an emerging culture of winter tourism were reshaping Alpine destinations. Davos was promoted not only for its scenery, but as a place associated with fresh air, health, sport and fashionable leisure. Koch’s design communicates those attractions without crowding the landscape with visitors or narrative incident. Instead, atmosphere does the persuasive work: clear air, open distance and an almost pristine stillness offer an idealised encounter with the mountains. The German title, meaning ‘winter resort Davos’, makes the commercial message direct, while the carefully staged panorama gives it emotional force.
A closer look
The foreground provides the poster’s strongest graphic forms. Heavy accumulations of snow sit upon the trees in soft, layered masses, with muted green foliage and brown branches emerging beneath. These rounded shapes are set against the crisp geometry of the distant peaks, creating a productive tension between softness and angularity. Across the lower foreground, dotted and stippled passages suggest granular snow and gently changing ground rather than describing every surface naturalistically.
From this sheltered foreground, the composition opens towards the centre. The calm lake acts as a horizontal interval between trees and mountains, carrying subdued blue reflections and slight tonal variations that imply depth. Small rocks appear beneath or close to the water’s surface, a modest detail within an otherwise simplified scene. Beyond, the mountain chain stretches across the full width of the poster, its snowfields broken into facets of white, ochre and shadowed blue. The peaks are dramatic without being forbidding: their sharp silhouettes are softened by the broad, muted sky, where pale yellowish notes suggest winter sunlight.
Typography is integral to the visual hierarchy. ‘WINTERKURORT DAVOS’ occupies the upper centre in bold capitals, immediately establishing the destination before the eye descends into the landscape. The smaller line at the foot functions almost like a geographic caption, with the altitude of 1,560 metres reinforcing Davos’s elevated setting. Dark vertical trunks at the right edge and the substantial tree forms at the left hold the vista between them, while the surrounding graphic border gives the entire design a firm architectural structure.
Context and significance
Early twentieth-century travel posters had to work at a distance and communicate quickly. Koch answers that demand through simplified contours, broad areas of colour and a clear progression from headline to scenery to practical location text. Yet the poster is more than an efficient announcement. Its selective vision of Davos reveals how mountain resorts were being imagined for a new travelling public: not as remote or hostile terrain, but as accessible places of elegance, recreation and restorative climate.
What remains particularly compelling is the restraint of the appeal. There are no busy platforms, crowded hotels or conspicuous sporting figures. Davos is represented through still water, deep snow and luminous distance, allowing the landscape itself to become the attraction. Koch’s poster thus preserves an early vision of Alpine winter tourism in which modern promotion and an ideal of untouched nature coexist with remarkable ease.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
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Elija una opción enmarcada para el regalo más sencillo, listo para colgar, o elija una lámina sin enmarcar si el destinatario prefiere seleccionar su propio marco.
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Si no está seguro de qué elegir, por favor contáctenos. Podemos ayudarle a escoger el mapa, tamaño, acabado u opción de entrega adecuados.
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La entrega al día siguiente también está disponible en algunos países (EE. UU., Reino Unido, Singapur, EAU), pero por favor intenta hacer tu pedido temprano en el día para que podamos enviarlo a tiempo.
Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
La mayoría de los mapas, arte e ilustraciones también están disponibles como un lienzo enmarcado. Utilizamos lienzo de algodón mate (no brillante), lo estiramos sobre un marco de madera de caja de origen sostenible, y luego 'flotamos' la pieza dentro de un marco de madera. El resultado final es bastante hermoso, y no hay cristal que se interponga.
Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
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- Enmarcado, montaje y materiales alternativos personalizados
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Cada impresión artística restaurada comienza con la obra original del artista; nunca con un reemplazo generado por IA.
Nuestro estudio de Londres trabaja a partir de material de origen cuidadosamente seleccionado de museos, bibliotecas, archivos y colecciones privadas. Restauramos el deterioro por el paso del tiempo, la coloración desvaída y las imperfecciones de reproducción, preservando al mismo tiempo la composición, la pincelada, el trazo, la textura y el carácter de época del artista.
No utilizamos IA generativa para redibujar, reinterpretar ni inventar la obra. La restauración digital se emplea únicamente para recuperar y reproducir la obra original con la mayor fidelidad posible.
Una vez restaurada, la obra maestra se prepara para el tamaño y el acabado que haya elegido. Después, su pieza se imprime y, cuando se selecciona, se enmarca cerca de su destino de entrega.
Nuestras impresiones artísticas giclée utilizan papel mate de archivo libre de ácido de 200 g/m² y tintas de pigmento resistentes a la decoloración para ofrecer un acabado rico, de calidad museística. Las impresiones artísticas enmarcadas utilizan acrílico óptico cristalino y llegan listas para colgar.
También están disponibles ediciones en lienzo enmarcado y ediciones especiales sobre algodón-rag. Obtenga más información sobre nuestros materiales y acabados.
Llevamos restaurando y produciendo mapas y láminas artísticas desde 1984, y respondemos por cada pieza.
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Walther Koch’s Winterkurort Davos, created in 1905, presents the Swiss Alpine resort as a landscape of poised winter calm. Snow-laden trees rise prominently at the left, their rounded forms framing a broad view across still blue water towards a sharply articulated mountain range. Above the scene, the destination’s name is announced in commanding lettering; below, the inscription ‘1560 M. GRAUBÜNDEN. SCHWEIZ’ locates Davos by altitude, canton and country. The result is both expansive landscape and concise advertisement, turning geography into desire through a striking contrast of cool blues, warm earth tones and brilliant snow.
The poster belongs to a period in which rail travel and an emerging culture of winter tourism were reshaping Alpine destinations. Davos was promoted not only for its scenery, but as a place associated with fresh air, health, sport and fashionable leisure. Koch’s design communicates those attractions without crowding the landscape with visitors or narrative incident. Instead, atmosphere does the persuasive work: clear air, open distance and an almost pristine stillness offer an idealised encounter with the mountains. The German title, meaning ‘winter resort Davos’, makes the commercial message direct, while the carefully staged panorama gives it emotional force.
A closer look
The foreground provides the poster’s strongest graphic forms. Heavy accumulations of snow sit upon the trees in soft, layered masses, with muted green foliage and brown branches emerging beneath. These rounded shapes are set against the crisp geometry of the distant peaks, creating a productive tension between softness and angularity. Across the lower foreground, dotted and stippled passages suggest granular snow and gently changing ground rather than describing every surface naturalistically.
From this sheltered foreground, the composition opens towards the centre. The calm lake acts as a horizontal interval between trees and mountains, carrying subdued blue reflections and slight tonal variations that imply depth. Small rocks appear beneath or close to the water’s surface, a modest detail within an otherwise simplified scene. Beyond, the mountain chain stretches across the full width of the poster, its snowfields broken into facets of white, ochre and shadowed blue. The peaks are dramatic without being forbidding: their sharp silhouettes are softened by the broad, muted sky, where pale yellowish notes suggest winter sunlight.
Typography is integral to the visual hierarchy. ‘WINTERKURORT DAVOS’ occupies the upper centre in bold capitals, immediately establishing the destination before the eye descends into the landscape. The smaller line at the foot functions almost like a geographic caption, with the altitude of 1,560 metres reinforcing Davos’s elevated setting. Dark vertical trunks at the right edge and the substantial tree forms at the left hold the vista between them, while the surrounding graphic border gives the entire design a firm architectural structure.
Context and significance
Early twentieth-century travel posters had to work at a distance and communicate quickly. Koch answers that demand through simplified contours, broad areas of colour and a clear progression from headline to scenery to practical location text. Yet the poster is more than an efficient announcement. Its selective vision of Davos reveals how mountain resorts were being imagined for a new travelling public: not as remote or hostile terrain, but as accessible places of elegance, recreation and restorative climate.
What remains particularly compelling is the restraint of the appeal. There are no busy platforms, crowded hotels or conspicuous sporting figures. Davos is represented through still water, deep snow and luminous distance, allowing the landscape itself to become the attraction. Koch’s poster thus preserves an early vision of Alpine winter tourism in which modern promotion and an ideal of untouched nature coexist with remarkable ease.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
