Richardson’s Meadow Mouse (Arvicola richardsonii) by John Woodhouse Audubon, 1845
La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.La oferta del coleccionista
Elija dos obras elegibles y obtenga un 20 % de descuento en ambas. Elija tres y la de menor precio será gratuita, con un ahorro máximo del 33 %.
Combine y mezcle mapas estándar elegibles y reproducciones de bellas artes. No se requiere código; la oferta se aplica automáticamente al finalizar la compra.
Se incluyen las configuraciones estándar hechas por encargo. Quedan excluidos los tamaños a medida, los diseños personalizados y los trabajos por encargo.
¿Necesita entrega en diferentes direcciones? Contáctenos antes de realizar el pedido.
Restaurado en Londres • Hecho en Australia
Obra de arte auténtica
La obra de arte que imprimimos se restaura fielmente a partir de la fuente original, normalmente un museo, biblioteca o colección privada. Nunca sustituimos, redibujamos ni inventamos la obra del artista utilizando IA generativa.
Restaurado a partir de la obra original de 1845 e impreso en calidad museo. Leer la historia detrás de esta obra
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Si deseas agregar un mensaje de regalo, o un acabado (rompecabezas, tablero de aluminio, etc.) que no esté disponible aquí, por favor solicítalo en la "nota del pedido" cuando realices la compra.
Cada pedido es hecho a medida, así que si necesitas que el tamaño se ajuste ligeramente, o que se imprima en un material inusual, háznoslo saber. Hemos realizado miles de pedidos personalizados a lo largo de los años, así que hay (casi) nada que no podamos gestionar.
También puedes contactarnos antes de hacer tu pedido, ¡si lo prefieres!
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Arvicola richardsonii (Richardson’s Meadow Mouse), Natural Size (1845) by John Woodhouse Audubon captures the precise, quietly intimate character of nineteenth-century natural history...
Seguir leyendoArvicola richardsonii (Richardson’s Meadow Mouse), Natural Size (1845) by John Woodhouse Audubon captures the precise, quietly intimate character of nineteenth-century natural history art. Created in the era of The Viviparous Quadrupeds of North America, this Victorian zoological illustration presents the small rodent at true-to-life scale, posed low to the ground with the calm alertness of a field sighting. Audubon’s close observation gives the animal a presence beyond its size: the set of its paws, the round of the flank, and the bright eye all speak to a discipline that served both science and art.
This listing is for a museum-quality fine art reproduction, available on acid-free archival paper or luxurious artist’s cotton canvas. Printed with richly pigmented inks to honor the original’s subtle tonal range, it is offered in a selection of sizes and can be ordered ready to frame or expertly framed by The Unique Maps Co. Personalization options—such as a period-style caption, a custom dedication, or adjusted margins—are available to suit your space and style.
John Woodhouse Audubon (1812–1862), the gifted son of famed ornithologist John James Audubon, was a principal artist behind the Quadrupeds project, collaborating with naturalist John Bachman to document North American mammals with unprecedented fidelity. Working from field studies and specimens, J.W. Audubon translated naturalist rigor into images that were accurate enough for study yet composed with an artist’s sensitivity. His plates helped shape America’s visual understanding of its wildlife at a moment when exploration and taxonomy were flourishing.
The subject here—Arvicola richardsonii, commonly known as Richardson’s meadow mouse—embodies the period’s drive to record even the most modest creatures with care. Named in honor of the naturalist Sir John Richardson, the animal is shown at its actual size, an inscription that underscores the illustration’s scientific purpose and makes the proportions immediately legible. In the mid-nineteenth century, such natural-size presentations were invaluable to scholars and curious readers alike, bridging the gap between printed knowledge and field experience.
Color and handling reveal Audubon’s technical command. Against a crisp white ground that heightens clarity, the vole’s coat modulates from warm russet and orange-brown along the back to cooler gray notes at the flanks and belly. Fine, hairlike strokes model the dense fur; delicate shading grounds the figure without distracting from it. The palette is disciplined and naturalistic—muted earths, clean grays, and soft shadow—so the viewer’s eye goes straight to the animal’s form and character. For today’s interiors, that restraint translates beautifully: the print reads as both a refined scientific plate and a minimalist artwork, equally at home in a study, nursery, or gallery wall.
A timeless choice for wildlife lovers, naturalists, and design-minded collectors, this Audubon print makes a thoughtful gift for birthdays, housewarmings, graduations in the sciences, or holidays like Christmas, Father’s Day, and Mother’s Day. It’s also a meaningful present for anyone with a love of North American fauna or a connection to the landscapes where the meadow mouse thrives.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Arvicola richardsonii (Richardson’s Meadow Mouse), Natural Size (1845) by John Woodhouse Audubon captures the precise, quietly intimate character of nineteenth-century natural history art. Created in the era of The Viviparous Quadrupeds of North America, this Victorian zoological illustration presents the small rodent at true-to-life scale, posed low to the ground with the calm alertness of a field sighting. Audubon’s close observation gives the animal a presence beyond its size: the set of its paws, the round of the flank, and the bright eye all speak to a discipline that served both science and art.
This listing is for a museum-quality fine art reproduction, available on acid-free archival paper or luxurious artist’s cotton canvas. Printed with richly pigmented inks to honor the original’s subtle tonal range, it is offered in a selection of sizes and can be ordered ready to frame or expertly framed by The Unique Maps Co. Personalization options—such as a period-style caption, a custom dedication, or adjusted margins—are available to suit your space and style.
John Woodhouse Audubon (1812–1862), the gifted son of famed ornithologist John James Audubon, was a principal artist behind the Quadrupeds project, collaborating with naturalist John Bachman to document North American mammals with unprecedented fidelity. Working from field studies and specimens, J.W. Audubon translated naturalist rigor into images that were accurate enough for study yet composed with an artist’s sensitivity. His plates helped shape America’s visual understanding of its wildlife at a moment when exploration and taxonomy were flourishing.
The subject here—Arvicola richardsonii, commonly known as Richardson’s meadow mouse—embodies the period’s drive to record even the most modest creatures with care. Named in honor of the naturalist Sir John Richardson, the animal is shown at its actual size, an inscription that underscores the illustration’s scientific purpose and makes the proportions immediately legible. In the mid-nineteenth century, such natural-size presentations were invaluable to scholars and curious readers alike, bridging the gap between printed knowledge and field experience.
Color and handling reveal Audubon’s technical command. Against a crisp white ground that heightens clarity, the vole’s coat modulates from warm russet and orange-brown along the back to cooler gray notes at the flanks and belly. Fine, hairlike strokes model the dense fur; delicate shading grounds the figure without distracting from it. The palette is disciplined and naturalistic—muted earths, clean grays, and soft shadow—so the viewer’s eye goes straight to the animal’s form and character. For today’s interiors, that restraint translates beautifully: the print reads as both a refined scientific plate and a minimalist artwork, equally at home in a study, nursery, or gallery wall.
A timeless choice for wildlife lovers, naturalists, and design-minded collectors, this Audubon print makes a thoughtful gift for birthdays, housewarmings, graduations in the sciences, or holidays like Christmas, Father’s Day, and Mother’s Day. It’s also a meaningful present for anyone with a love of North American fauna or a connection to the landscapes where the meadow mouse thrives.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Para la mayoría de los pedidos, el tiempo de entrega es de aproximadamente 3 días laborables. Los productos personalizados y a medida tardan más, ya que tengo que hacer la personalización y enviártelo para su aprobación, lo cual suele tardar 1 o 2 días.
Tenga en cuenta que los pedidos enmarcados muy grandes suelen tardar más en fabricarse y entregarse.
Si necesitas que tu pedido llegue para una fecha determinada, por favor contáctame antes de hacer el pedido para que podamos encontrar la mejor manera de asegurarnos de que recibas tu pedido a tiempo.
Imprimo y enmarco mapas y obras de arte en 23 países alrededor del mundo. Esto significa que tu pedido se fabricará localmente, lo que reduce el tiempo de entrega y asegura que no se dañe durante el envío. Nunca pagarás aranceles de aduana o impuestos de importación, y pondremos menos CO2 en el aire.
Todos mis mapas y impresiones artísticas están bien empaquetados y enviados en un tubo resistente si no están enmarcados, o rodeados de espuma si están enmarcados.
Intento enviar todos los pedidos dentro de 1 o 2 días después de recibir tu pedido, aunque algunos productos (como mascarillas, tazas y bolsas de tela) pueden tardar más en fabricarse.
Si seleccionas Entrega Exprés al finalizar la compra, priorizaremos tu pedido y lo enviaremos por mensajería de 1 día (Fedex, DHL, UPS, Parcelforce).
La entrega al día siguiente también está disponible en algunos países (EE. UU., Reino Unido, Singapur, EAU), pero por favor intenta hacer tu pedido temprano en el día para que podamos enviarlo a tiempo.
Mi marco estándar es un marco de madera de fresno negro estilo galería. Es simple y tiene un aspecto bastante moderno. Mi marco estándar tiene alrededor de 20 mm (0.8 in) de ancho.
Utilizo acrílico super claro (perspex/acrylite) para el vidrio del marco. Es más ligero y seguro que el vidrio, y se ve mejor, ya que la reflectividad es menor.
Seis colores de marco estándar están disponibles de forma gratuita (negro, marrón oscuro, gris oscuro, roble, blanco y oro antiguo).El enmarcado y montaje/matizado personalizado está disponible si buscas algo diferente.
La mayoría de los mapas, arte e ilustraciones también están disponibles como un lienzo enmarcado. Utilizamos lienzo de algodón mate (no brillante), lo estiramos sobre un marco de madera de caja de origen sostenible, y luego 'flotamos' la pieza dentro de un marco de madera. El resultado final es bastante hermoso, y no hay cristal que se interponga.
Todos los marcos se proporcionan "listos para colgar", con una cuerda o soportes en la parte posterior. Los marcos muy grandes tendrán placas de colgar de alta resistencia y/o un listón de montaje. Si tienes alguna pregunta, por favor ponte en contacto.
Mira algunos ejemplos de mis mapas enmarcados y mapas en lienzo enmarcados.
Alternativamente, también puedo proporcionar mapas antiguos y obras de arte en lienzo, tablero de espuma, papel de algodón y otros materiales.
Si deseas enmarcar tu mapa o obra de arte tú mismo, por favor lee mi guía de tamaños primero.
Cada impresión artística restaurada comienza con la obra original del artista; nunca con un reemplazo generado por IA.
Nuestro estudio de Londres trabaja a partir de material de origen cuidadosamente seleccionado de museos, bibliotecas, archivos y colecciones privadas. Restauramos el deterioro por el paso del tiempo, la coloración desvaída y las imperfecciones de reproducción, preservando al mismo tiempo la composición, la pincelada, el trazo, la textura y el carácter de época del artista.
No utilizamos IA generativa para redibujar, reinterpretar ni inventar la obra. La restauración digital se emplea únicamente para recuperar y reproducir la obra original con la mayor fidelidad posible.
Una vez restaurada, la obra maestra se prepara para el tamaño y el acabado que haya elegido. Después, su pieza se imprime y, cuando se selecciona, se enmarca cerca de su destino de entrega.
Nuestras impresiones artísticas giclée utilizan papel mate de archivo libre de ácido de 200 g/m² y tintas de pigmento resistentes a la decoloración para ofrecer un acabado rico, de calidad museística. Las impresiones artísticas enmarcadas utilizan acrílico óptico cristalino y llegan listas para colgar.
También están disponibles ediciones en lienzo enmarcado y ediciones especiales sobre algodón-rag. Obtenga más información sobre nuestros materiales y acabados.
Si no estás satisfecho con tu pedido por cualquier motivo, contáctame para un reembolso sin complicaciones. Por favor, consulta nuestra política de devoluciones y reembolsos para más información.
Estoy muy seguro de que te gustará tu mapa o impresión artística restaurada. He estado haciendo esto desde 1984. Soy un vendedor de 5 estrellas en Etsy. He vendido decenas de miles de mapas e impresiones artísticas y tengo más de 5,000 opiniones reales de 5 estrellas.
Utilizo un proceso único para restaurar mapas y obras de arte que consume mucho tiempo y mano de obra. Buscar los mapas e ilustraciones originales puede llevar meses. Utilizo tecnología de última generación y extremadamente cara para escanear y restaurarlos. Como resultado, garantizo que mis mapas e impresiones artísticas son superiores a los demás - por eso puedo ofrecer un reembolso sin complicaciones.
Casi todos mis mapas e impresiones artísticas se ven increíbles en tamaños grandes (200cm, 6.5ft+) y también puedo enmarcarlos y entregártelos a través de un servicio de mensajería especial para tamaños grandes. Contáctame para discutir tus necesidades específicas.
Este servicio no está disponible actualmente,
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Arvicola richardsonii (Richardson’s Meadow Mouse), Natural Size (1845) by John Woodhouse Audubon captures the precise, quietly intimate character of nineteenth-century natural history art. Created in the era of The Viviparous Quadrupeds of North America, this Victorian zoological illustration presents the small rodent at true-to-life scale, posed low to the ground with the calm alertness of a field sighting. Audubon’s close observation gives the animal a presence beyond its size: the set of its paws, the round of the flank, and the bright eye all speak to a discipline that served both science and art.
This listing is for a museum-quality fine art reproduction, available on acid-free archival paper or luxurious artist’s cotton canvas. Printed with richly pigmented inks to honor the original’s subtle tonal range, it is offered in a selection of sizes and can be ordered ready to frame or expertly framed by The Unique Maps Co. Personalization options—such as a period-style caption, a custom dedication, or adjusted margins—are available to suit your space and style.
John Woodhouse Audubon (1812–1862), the gifted son of famed ornithologist John James Audubon, was a principal artist behind the Quadrupeds project, collaborating with naturalist John Bachman to document North American mammals with unprecedented fidelity. Working from field studies and specimens, J.W. Audubon translated naturalist rigor into images that were accurate enough for study yet composed with an artist’s sensitivity. His plates helped shape America’s visual understanding of its wildlife at a moment when exploration and taxonomy were flourishing.
The subject here—Arvicola richardsonii, commonly known as Richardson’s meadow mouse—embodies the period’s drive to record even the most modest creatures with care. Named in honor of the naturalist Sir John Richardson, the animal is shown at its actual size, an inscription that underscores the illustration’s scientific purpose and makes the proportions immediately legible. In the mid-nineteenth century, such natural-size presentations were invaluable to scholars and curious readers alike, bridging the gap between printed knowledge and field experience.
Color and handling reveal Audubon’s technical command. Against a crisp white ground that heightens clarity, the vole’s coat modulates from warm russet and orange-brown along the back to cooler gray notes at the flanks and belly. Fine, hairlike strokes model the dense fur; delicate shading grounds the figure without distracting from it. The palette is disciplined and naturalistic—muted earths, clean grays, and soft shadow—so the viewer’s eye goes straight to the animal’s form and character. For today’s interiors, that restraint translates beautifully: the print reads as both a refined scientific plate and a minimalist artwork, equally at home in a study, nursery, or gallery wall.
A timeless choice for wildlife lovers, naturalists, and design-minded collectors, this Audubon print makes a thoughtful gift for birthdays, housewarmings, graduations in the sciences, or holidays like Christmas, Father’s Day, and Mother’s Day. It’s also a meaningful present for anyone with a love of North American fauna or a connection to the landscapes where the meadow mouse thrives.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

