Australia Travel Poster: Trans-Australian Railway by James Northfield, 1930
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Consegna natalizia & regali
Invialo direttamente al destinatario
Aggiungi un messaggio regalo al carrello, quindi inserisci l’indirizzo di consegna del destinatario al checkout. Stamperemo il tuo messaggio su un biglietto. Nel pacco non sono inclusi prezzi.
Tempi di consegna
La consegna standard è gratuita in tutto il mondo e richiede solitamente circa 3 giorni lavorativi. Vuoi inviare un regalo all’estero? Realizziamo la maggior parte degli ordini localmente, nel paese del destinatario.
Per gli ordini personalizzati, prevedi tempi aggiuntivi per la progettazione e l’approvazione della bozza. Consulta i dettagli di consegna.
Resi: Gli ordini standard possono essere restituiti o cambiati entro 90 giorni dalla consegna. Gli articoli personalizzati e realizzati su misura sono generalmente esclusi dai resi per ripensamento. Consulta la nostra politica sui resi.
L’offerta del collezionista
Scegli due opere idonee e ricevi il 25% di sconto su entrambe. Puoi abbinare liberamente mappe e opere d’arte.
Non è richiesto alcun codice. L’offerta viene applicata automaticamente.
Termini e condizioni completi
L’offerta del collezionista si applica alle opere idonee nelle configurazioni standard realizzate su ordinazione. Sono esclusi i formati su misura, i design personalizzati e i lavori su commissione. I prodotti con “personalised” o “custom” nel nome sono generalmente esclusi.
L’offerta è gestita come due sconti automatici separati: uno per i formati più piccoli e uno per i formati più grandi. Per averne diritto, è necessario acquistare due opere idonee all’interno dello stesso gruppo di formato. Mappe e stampe d’arte possono essere abbinate liberamente all’interno di ciascun gruppo.
Ad esempio, due stampe idonee in formato A4 o 8 × 10 in danno diritto al 25% di sconto su entrambe. Una stampa di formato più piccolo e un’opera di formato più grande non danno diritto allo sconto se acquistate insieme, poiché gli articoli di gruppi di formato diversi non possono essere combinati per soddisfare il requisito dei due articoli.
Non è richiesto alcun codice sconto. Qualsiasi sconto idoneo viene applicato automaticamente nel carrello e al momento del pagamento.
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If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!
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Invialo direttamente al destinatario
Aggiungi un messaggio regalo al carrello, quindi inserisci l’indirizzo di consegna del destinatario al checkout. Stamperemo il tuo messaggio su un biglietto. Nel pacco non sono inclusi prezzi.
Tempi di consegna
La consegna standard è gratuita in tutto il mondo e richiede solitamente circa 3 giorni lavorativi. Vuoi inviare un regalo all’estero? Realizziamo la maggior parte degli ordini localmente, nel paese del destinatario.
Per gli ordini personalizzati, prevedi tempi aggiuntivi per la progettazione e l’approvazione della bozza. Consulta i dettagli di consegna.
Resi: Gli ordini standard possono essere restituiti o cambiati entro 90 giorni dalla consegna. Gli articoli personalizzati e realizzati su misura sono generalmente esclusi dai resi per ripensamento. Consulta la nostra politica sui resi.
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James Northfield’s Travel by Trans-Australian Railway across Australia, created in 1930, turns a continental rail journey into a bold encounter between old...
Continua a leggereJames Northfield’s Travel by Trans-Australian Railway across Australia, created in 1930, turns a continental rail journey into a bold encounter between old and new forms of travel. A camel and rider dominate the foreground, while a steam train advances through the lower right of the composition. Behind them, brilliant blue sky, pale stylised mountains and expanses of burnt-orange ground compress the Australian landscape into a vivid graphic shorthand for distance, heat and adventure.
Northfield was a prominent Australian poster artist whose crisp, economical designs helped shape the visual language of tourism and transport advertising. Here, the Trans-Australian Railway is presented not simply as infrastructure but as a modern answer to the daunting scale of the continent. Opened in the early twentieth century, the railway crossed the vast interior between Port Augusta and Kalgoorlie, connecting the eastern and western railway networks. By 1930, its speed and comfort could be promoted through an especially persuasive contrast: the measured pace of the camel beside the streamlined mechanical force of the locomotive.
A closer look
The composition is carefully balanced around that contrast. On the left, the camel’s long neck forms a strong upward curve, its warm brown body and patterned saddlebags rendered with more naturalistic detail than the simplified landscape beyond. The rider, wrapped in a heavy coat and broad-brimmed hat, sits high above the horizon. Together, camel and figure create a rugged, almost monumental silhouette against the open sky.
At lower right, the train enters on a diagonal, its green and silvery body punctuated by windows, wheels and linear details that suggest forward motion. The words “TO PERTH” make its destination part of the illustration, while the eye is drawn from the locomotive across the central ground and back towards the camel. Rather than constructing deep, naturalistic space, Northfield layers large, clearly separated forms: dark foreground figures, orange terrain, pale peaks and an intensely blue sky. The sharply defined horizon and high tonal contrasts give the scene the immediacy of a travel emblem.
Typography supplies a second architecture. “TRANS-AUSTRALIAN RAILWAY” appears prominently at the top in a forceful serif face with decorative flourishes, while “ACROSS AUSTRALIA” anchors the lower portion in broad, emphatic lettering. Between these declarations, the promise “in Comfort save Days” states the practical advantage of rail travel with striking brevity. A dark border contains the saturated colour and keeps the eye moving inward, making landscape, transport and advertising message operate as a single design.
Context and significance
The poster belongs to an interwar culture in which railway companies and tourism organisations increasingly relied upon accomplished commercial artists to make destinations—and the journeys towards them—visually desirable. Its Art Deco character lies in the streamlined arrangement, simplified colour blocks and confident hierarchy of image and lettering. Northfield does not minimise Australia’s immense distances; instead, he makes scale itself part of the attraction, presenting the interior as a dramatic territory that modern transport could traverse.
The juxtaposition of camel and train is particularly effective because both are recognisable vehicles of inland travel, yet they imply radically different tempos. One carries the associations of endurance and remote country; the other promises speed, regularity and comfort. Northfield’s poster holds these ideas together without clutter, producing an image that is at once a persuasive advertisement and a revealing expression of 1930s confidence in mobility across the Australian continent.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 36x24in (90x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
James Northfield’s Travel by Trans-Australian Railway across Australia, created in 1930, turns a continental rail journey into a bold encounter between old and new forms of travel. A camel and rider dominate the foreground, while a steam train advances through the lower right of the composition. Behind them, brilliant blue sky, pale stylised mountains and expanses of burnt-orange ground compress the Australian landscape into a vivid graphic shorthand for distance, heat and adventure.
Northfield was a prominent Australian poster artist whose crisp, economical designs helped shape the visual language of tourism and transport advertising. Here, the Trans-Australian Railway is presented not simply as infrastructure but as a modern answer to the daunting scale of the continent. Opened in the early twentieth century, the railway crossed the vast interior between Port Augusta and Kalgoorlie, connecting the eastern and western railway networks. By 1930, its speed and comfort could be promoted through an especially persuasive contrast: the measured pace of the camel beside the streamlined mechanical force of the locomotive.
A closer look
The composition is carefully balanced around that contrast. On the left, the camel’s long neck forms a strong upward curve, its warm brown body and patterned saddlebags rendered with more naturalistic detail than the simplified landscape beyond. The rider, wrapped in a heavy coat and broad-brimmed hat, sits high above the horizon. Together, camel and figure create a rugged, almost monumental silhouette against the open sky.
At lower right, the train enters on a diagonal, its green and silvery body punctuated by windows, wheels and linear details that suggest forward motion. The words “TO PERTH” make its destination part of the illustration, while the eye is drawn from the locomotive across the central ground and back towards the camel. Rather than constructing deep, naturalistic space, Northfield layers large, clearly separated forms: dark foreground figures, orange terrain, pale peaks and an intensely blue sky. The sharply defined horizon and high tonal contrasts give the scene the immediacy of a travel emblem.
Typography supplies a second architecture. “TRANS-AUSTRALIAN RAILWAY” appears prominently at the top in a forceful serif face with decorative flourishes, while “ACROSS AUSTRALIA” anchors the lower portion in broad, emphatic lettering. Between these declarations, the promise “in Comfort save Days” states the practical advantage of rail travel with striking brevity. A dark border contains the saturated colour and keeps the eye moving inward, making landscape, transport and advertising message operate as a single design.
Context and significance
The poster belongs to an interwar culture in which railway companies and tourism organisations increasingly relied upon accomplished commercial artists to make destinations—and the journeys towards them—visually desirable. Its Art Deco character lies in the streamlined arrangement, simplified colour blocks and confident hierarchy of image and lettering. Northfield does not minimise Australia’s immense distances; instead, he makes scale itself part of the attraction, presenting the interior as a dramatic territory that modern transport could traverse.
The juxtaposition of camel and train is particularly effective because both are recognisable vehicles of inland travel, yet they imply radically different tempos. One carries the associations of endurance and remote country; the other promises speed, regularity and comfort. Northfield’s poster holds these ideas together without clutter, producing an image that is at once a persuasive advertisement and a revealing expression of 1930s confidence in mobility across the Australian continent.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 36x24in (90x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
