Basel Zoo Travel Poster by Rudolf Dürrwang, 1920
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La consegna standard è gratuita in tutto il mondo e richiede solitamente circa 3 giorni lavorativi. Vuoi inviare un regalo all’estero? Realizziamo la maggior parte degli ordini localmente, nel paese del destinatario.
Per gli ordini personalizzati, prevedi tempi aggiuntivi per la progettazione e l’approvazione della bozza. Consulta i dettagli di consegna.
Resi: Gli ordini standard possono essere restituiti o cambiati entro 90 giorni dalla consegna. Gli articoli personalizzati e realizzati su misura sono generalmente esclusi dai resi per ripensamento. Consulta la nostra politica sui resi.
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Scegli due opere idonee e ricevi il 25% di sconto su entrambe. Puoi abbinare liberamente mappe e opere d’arte.
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Termini e condizioni completi
L’offerta del collezionista si applica alle opere idonee nelle configurazioni standard realizzate su ordinazione. Sono esclusi i formati su misura, i design personalizzati e i lavori su commissione. I prodotti con “personalised” o “custom” nel nome sono generalmente esclusi.
L’offerta è gestita come due sconti automatici separati: uno per i formati più piccoli e uno per i formati più grandi. Per averne diritto, è necessario acquistare due opere idonee all’interno dello stesso gruppo di formato. Mappe e stampe d’arte possono essere abbinate liberamente all’interno di ciascun gruppo.
Ad esempio, due stampe idonee in formato A4 o 8 × 10 in danno diritto al 25% di sconto su entrambe. Una stampa di formato più piccolo e un’opera di formato più grande non danno diritto allo sconto se acquistate insieme, poiché gli articoli di gruppi di formato diversi non possono essere combinati per soddisfare il requisito dei due articoli.
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La consegna standard è gratuita in tutto il mondo e richiede solitamente circa 3 giorni lavorativi. Vuoi inviare un regalo all’estero? Realizziamo la maggior parte degli ordini localmente, nel paese del destinatario.
Per gli ordini personalizzati, prevedi tempi aggiuntivi per la progettazione e l’approvazione della bozza. Consulta i dettagli di consegna.
Resi: Gli ordini standard possono essere restituiti o cambiati entro 90 giorni dalla consegna. Gli articoli personalizzati e realizzati su misura sono generalmente esclusi dai resi per ripensamento. Consulta la nostra politica sui resi.
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Rudolf Dürrwang’s Zoologischer Garten Basel, created around 1920, turns an encounter at Basel Zoo into a piece of bold theatrical graphic design....
Continua a leggereRudolf Dürrwang’s Zoologischer Garten Basel, created around 1920, turns an encounter at Basel Zoo into a piece of bold theatrical graphic design. A great brown bear rises on its hind legs in the foreground, its rounded mass filling much of the vertical composition. Above and behind it, a row of visitors peers into the enclosure, their comparatively small, shadowed forms establishing both the animal’s scale and the pleasure of spectatorship. Warm browns, orange and sandy beige give the poster an unusually genial character: commanding without becoming threatening, the bear appears almost to perform for its audience.
The poster belongs to an era in which rail travel and expanding leisure culture helped transform zoological gardens into prominent urban attractions. Designed to catch the attention of travellers and day-trippers, such publicity needed to communicate at a glance. Dürrwang accordingly avoids a descriptive panorama of the zoo. One memorable animal, a handful of spectators and the emphatic name of the destination do the work instead. The result reflects the simplifying tendency associated with early twentieth-century poster design and Art Deco: broad shapes, controlled detail and a clear hierarchy between subject and lettering.
A closer look
The bear dominates the lower and central field, standing firmly upon a pale strip of ground. Its silhouette is immediately legible, yet the body is not treated as a single flat block. Gentle transitions through chocolate brown, russet and near-black give volume to the torso, limbs and heavy paws. The head is relatively small against the broad body, while subtle modelling around the muzzle lends the animal a calm, almost companionable expression. A slight shadow at its feet anchors this upright pose and prevents the figure from seeming merely emblematic.
The spectators form a second, quieter drama along the upper part of the design. Gathered at the enclosure’s edge, they are reduced to dark heads, muted clothing and economical outlines. Their placement reverses the usual hierarchy of a zoo visit: rather than looking past people towards an animal in the distance, we stand visually beside the bear and look back towards those observing it. This compressed viewpoint gives the poster much of its humour and immediacy.
A sparse beige background keeps the scene open and legible, with a small blue-green passage near the top suggesting air or sky. Against these softened tones, the bear’s warm colouring acquires greater weight. At the bottom, the words “Zoologischer Garten Basel” provide a firm graphic base in decorative, assertive lettering. Dürrwang’s name appears discreetly at the lower right, a restrained counterpoint to the destination’s much stronger typographic presence.
Context and significance
Basel’s zoological garden, opened in 1874, was Switzerland’s first zoo and had become an established civic destination by the time Dürrwang made this design. The poster therefore promotes more than an assemblage of animals: it presents the zoo as part of modern urban leisure, accessible to families, visitors and those arriving in the city by rail. Its appeal lies in the economy with which that idea is expressed. There are no maps, lists of attractions or elaborate architectural views—only the direct exchange between animal and audience.
That reduction gives Zoologischer Garten Basel its enduring visual wit. The bear is simultaneously a living creature, a genial protagonist and an instantly recognisable advertising motif, while the watching crowd quietly reminds us of the curiosity that brought zoo visitors to the enclosure in the first place.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Rudolf Dürrwang’s Zoologischer Garten Basel, created around 1920, turns an encounter at Basel Zoo into a piece of bold theatrical graphic design. A great brown bear rises on its hind legs in the foreground, its rounded mass filling much of the vertical composition. Above and behind it, a row of visitors peers into the enclosure, their comparatively small, shadowed forms establishing both the animal’s scale and the pleasure of spectatorship. Warm browns, orange and sandy beige give the poster an unusually genial character: commanding without becoming threatening, the bear appears almost to perform for its audience.
The poster belongs to an era in which rail travel and expanding leisure culture helped transform zoological gardens into prominent urban attractions. Designed to catch the attention of travellers and day-trippers, such publicity needed to communicate at a glance. Dürrwang accordingly avoids a descriptive panorama of the zoo. One memorable animal, a handful of spectators and the emphatic name of the destination do the work instead. The result reflects the simplifying tendency associated with early twentieth-century poster design and Art Deco: broad shapes, controlled detail and a clear hierarchy between subject and lettering.
A closer look
The bear dominates the lower and central field, standing firmly upon a pale strip of ground. Its silhouette is immediately legible, yet the body is not treated as a single flat block. Gentle transitions through chocolate brown, russet and near-black give volume to the torso, limbs and heavy paws. The head is relatively small against the broad body, while subtle modelling around the muzzle lends the animal a calm, almost companionable expression. A slight shadow at its feet anchors this upright pose and prevents the figure from seeming merely emblematic.
The spectators form a second, quieter drama along the upper part of the design. Gathered at the enclosure’s edge, they are reduced to dark heads, muted clothing and economical outlines. Their placement reverses the usual hierarchy of a zoo visit: rather than looking past people towards an animal in the distance, we stand visually beside the bear and look back towards those observing it. This compressed viewpoint gives the poster much of its humour and immediacy.
A sparse beige background keeps the scene open and legible, with a small blue-green passage near the top suggesting air or sky. Against these softened tones, the bear’s warm colouring acquires greater weight. At the bottom, the words “Zoologischer Garten Basel” provide a firm graphic base in decorative, assertive lettering. Dürrwang’s name appears discreetly at the lower right, a restrained counterpoint to the destination’s much stronger typographic presence.
Context and significance
Basel’s zoological garden, opened in 1874, was Switzerland’s first zoo and had become an established civic destination by the time Dürrwang made this design. The poster therefore promotes more than an assemblage of animals: it presents the zoo as part of modern urban leisure, accessible to families, visitors and those arriving in the city by rail. Its appeal lies in the economy with which that idea is expressed. There are no maps, lists of attractions or elaborate architectural views—only the direct exchange between animal and audience.
That reduction gives Zoologischer Garten Basel its enduring visual wit. The bear is simultaneously a living creature, a genial protagonist and an instantly recognisable advertising motif, while the watching crowd quietly reminds us of the curiosity that brought zoo visitors to the enclosure in the first place.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
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We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
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Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
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Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
