Elegant Young Woman Vintage Drinks Advertising Poster, 1870
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1870 e stampata in qualità museale. Descrizione completa
L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Stampato e incorniciato in Australia
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1870 e stampata in qualità museale. Descrizione completa
Scegli il formato
Scegli la finitura
(Maggiori informazioni)
Gift message & custom finish
If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!
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Young Woman Wearing an Elegant Dress, an anonymous beverage poster dating from 1870, centres on a fashionably dressed woman holding a small...
Continua a leggereYoung Woman Wearing an Elegant Dress, an anonymous beverage poster dating from 1870, centres on a fashionably dressed woman holding a small glass and looking directly towards the viewer. Her softly modelled face, curled hair and elaborate costume emerge against a subdued green ground, while pink roses, deep-coloured violets and a decoratively labelled bottle introduce brighter notes. The close portrait format gives the figure an immediate presence, but it is the careful orchestration of dress, flowers and drink that defines the composition.
Produced during the Victorian period, the poster belongs to a commercial culture increasingly attentive to fashion, refinement and the visual construction of social identity. Rather than placing the beverage in isolation, the design surrounds it with signs of cultivated taste: lace, jewellery, flowers and an elegant female figure. The woman thus occupies the space between portraiture and advertising, lending the product beside her an atmosphere of sociability and distinction. Although neither the artist nor the particular beverage is identified, the poster offers a revealing example of how nineteenth-century advertising could communicate through mood and association rather than extensive written information.
A closer look
The composition is shallow and concentrated, bringing the woman, glass and bottle close to the picture plane. Her face forms the principal focus, framed by dark curls and the pale, intricate textures of her dress. Fine lace patterns are visible around the neckline and shoulders, set against warmer areas of skin and the restrained tones of the background. A delicate bracelet encircles the raised wrist, drawing attention to the hand holding the glass. Highlights along its rim and surface give the transparent vessel a crispness that contrasts with the softer modelling of her face.
Flowers animate the costume without overwhelming it. Pink roses gather around the woman’s right shoulder, their layered petals picked out with careful shifts from pale blush to deeper rose. Lower in the composition, a small cluster of violets adds cooler purple notes near the glass. These floral details create a visual path between the sitter and the advertised drink, while also reinforcing the poster’s ornamental character. The faded green background is deliberately quiet by comparison, allowing the pinks, purples and touches of red and blue to appear especially vivid.
At the left, the bottle provides a compact counterweight to the woman’s raised hand. Its coloured decorative elements are among the most overtly graphic passages in the design, though the label itself is not clearly legible. The poster’s balance depends on this relationship: the human figure commands attention, while the bottle remains close enough to become part of the same carefully arranged world. Ample space around the figure prevents the lace, blossoms and ornament from becoming visually crowded.
Context and significance
Fashionable women were a familiar presence in nineteenth-century commercial imagery because costume and bearing could convey ideas that a product alone could not. Here, posture is as significant as dress. The glass is held lightly rather than raised dramatically, and the direct gaze gives the scene the composed quality of a formal portrait. Advertising and figure study meet in a design that treats consumption as an aspect of polished social presentation.
The poster is also rewarding as a record of Victorian visual taste. Its appeal lies not in a busy narrative but in an accumulation of controlled details: the bracelet at the wrist, the transparency of the glass, the veining of small petals and the contrast between elaborate lace and an almost featureless ground. Together, these elements make the anonymous sitter both an emblem of period elegance and the persuasive centre of a quietly sophisticated advertisement.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Young Woman Wearing an Elegant Dress, an anonymous beverage poster dating from 1870, centres on a fashionably dressed woman holding a small glass and looking directly towards the viewer. Her softly modelled face, curled hair and elaborate costume emerge against a subdued green ground, while pink roses, deep-coloured violets and a decoratively labelled bottle introduce brighter notes. The close portrait format gives the figure an immediate presence, but it is the careful orchestration of dress, flowers and drink that defines the composition.
Produced during the Victorian period, the poster belongs to a commercial culture increasingly attentive to fashion, refinement and the visual construction of social identity. Rather than placing the beverage in isolation, the design surrounds it with signs of cultivated taste: lace, jewellery, flowers and an elegant female figure. The woman thus occupies the space between portraiture and advertising, lending the product beside her an atmosphere of sociability and distinction. Although neither the artist nor the particular beverage is identified, the poster offers a revealing example of how nineteenth-century advertising could communicate through mood and association rather than extensive written information.
A closer look
The composition is shallow and concentrated, bringing the woman, glass and bottle close to the picture plane. Her face forms the principal focus, framed by dark curls and the pale, intricate textures of her dress. Fine lace patterns are visible around the neckline and shoulders, set against warmer areas of skin and the restrained tones of the background. A delicate bracelet encircles the raised wrist, drawing attention to the hand holding the glass. Highlights along its rim and surface give the transparent vessel a crispness that contrasts with the softer modelling of her face.
Flowers animate the costume without overwhelming it. Pink roses gather around the woman’s right shoulder, their layered petals picked out with careful shifts from pale blush to deeper rose. Lower in the composition, a small cluster of violets adds cooler purple notes near the glass. These floral details create a visual path between the sitter and the advertised drink, while also reinforcing the poster’s ornamental character. The faded green background is deliberately quiet by comparison, allowing the pinks, purples and touches of red and blue to appear especially vivid.
At the left, the bottle provides a compact counterweight to the woman’s raised hand. Its coloured decorative elements are among the most overtly graphic passages in the design, though the label itself is not clearly legible. The poster’s balance depends on this relationship: the human figure commands attention, while the bottle remains close enough to become part of the same carefully arranged world. Ample space around the figure prevents the lace, blossoms and ornament from becoming visually crowded.
Context and significance
Fashionable women were a familiar presence in nineteenth-century commercial imagery because costume and bearing could convey ideas that a product alone could not. Here, posture is as significant as dress. The glass is held lightly rather than raised dramatically, and the direct gaze gives the scene the composed quality of a formal portrait. Advertising and figure study meet in a design that treats consumption as an aspect of polished social presentation.
The poster is also rewarding as a record of Victorian visual taste. Its appeal lies not in a busy narrative but in an accumulation of controlled details: the bracelet at the wrist, the transparency of the glass, the veining of small petals and the contrast between elaborate lace and an almost featureless ground. Together, these elements make the anonymous sitter both an emblem of period elegance and the persuasive centre of a quietly sophisticated advertisement.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
