Geo. Ehret’s Brewery Vintage Beer Poster by Henry Jerome Schile, 1885
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1885 e stampata in qualità museale. Descrizione completa
L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Stampato e incorniciato in Australia
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1885 e stampata in qualità museale. Descrizione completa
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Gift message & custom finish
If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
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Henry Jerome Schile’s Geo. Ehret’s Brewery, Munich Beer Girl, dating from 1885, places a smiling, elaborately costumed beer girl at the centre...
Continua a leggereHenry Jerome Schile’s Geo. Ehret’s Brewery, Munich Beer Girl, dating from 1885, places a smiling, elaborately costumed beer girl at the centre of a richly coloured advertisement. She raises a brimming glass while a dark-coated goat presses companionably beside her; to the lower right, a wooden barrel anchors the brewery theme. Brilliant reds in her dress and the lettering stand out against leafy greens, warm brown and cream, giving the vertically arranged composition an immediate, festive clarity.
The poster belongs to the lively commercial print culture of late nineteenth-century America, when illustrated advertising allowed breweries and other businesses to build distinctive public identities through memorable characters and bold typography. Schile, an American artist born in 1829, worked during the period in which lithography helped such imagery circulate widely. Here, the Munich costume and brewing motifs lend European associations to an advertisement that explicitly identifies the brewery with New York: a revealing example of how German and Bavarian visual traditions could be adapted for an American market.
A closer look
The beer girl commands the foreground, her upright pose and direct smile making her both hostess and emblem. Her clothing is constructed from sharply contrasting areas of colour: a vivid red skirt and bodice are relieved by pale fabric and delicate lace trim, with small highlights picking out folds, edges and ornament. The glass in her raised right hand catches the light, its golden contents and foamy head repeated by the cluster of beer glasses in the upper-right portion of the design.
At her left, the goat introduces a note of affectionate comedy. Its dark fur, broken by distinct white markings, is described with short textural strokes that contrast with the smoother treatment of the woman’s face and costume. The animal also broadens the silhouette of the central group, balancing the substantial barrel on the opposite side. Green grass and earthy tones run along the lower edge, while foliage and curling vines frame the figures without creating deep recession; the setting functions less as a naturalistic landscape than as a decorative stage.
Text is integrated into this pictorial structure with considerable force. “GEO. EHRET’S” stretches across the upper section in bright red lettering embellished with decorative flourishes, establishing the name before the eye settles on the figure. Below, “MUNICH BEER GIRL.” identifies the character, while “BREWERY N.Y.” grounds the European-themed scene in its American commercial setting. The hierarchy is carefully judged: company name, appealing figure and product cues can each be grasped quickly, yet the lace, fur, leaves, glassware and barrel emblem reward slower inspection.
Context and significance
Beer advertising of this period often drew upon convivial figures, regional costume and abundant displays of drink rather than presenting the product as an isolated commodity. Schile’s design brings these ingredients together with unusual density. The girl’s theatrical dress, the frothing glasses, the barrel and the playful goat create an entire visual world around the brewery name, associating it with hospitality, tradition and good humour without sacrificing graphic legibility.
The poster is especially engaging for the way it combines portrait-like attention with the blunt effectiveness of advertising. Its central figure has enough detail to sustain close looking, while the emphatic red lettering and compact arrangement retain their impact at a glance. That tension between decorative storytelling and commercial directness is characteristic of the era’s most appealing beverage imagery—and gives Schile’s Munich beer girl a personality extending well beyond the message she was created to promote.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the undefined version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Henry Jerome Schile’s Geo. Ehret’s Brewery, Munich Beer Girl, dating from 1885, places a smiling, elaborately costumed beer girl at the centre of a richly coloured advertisement. She raises a brimming glass while a dark-coated goat presses companionably beside her; to the lower right, a wooden barrel anchors the brewery theme. Brilliant reds in her dress and the lettering stand out against leafy greens, warm brown and cream, giving the vertically arranged composition an immediate, festive clarity.
The poster belongs to the lively commercial print culture of late nineteenth-century America, when illustrated advertising allowed breweries and other businesses to build distinctive public identities through memorable characters and bold typography. Schile, an American artist born in 1829, worked during the period in which lithography helped such imagery circulate widely. Here, the Munich costume and brewing motifs lend European associations to an advertisement that explicitly identifies the brewery with New York: a revealing example of how German and Bavarian visual traditions could be adapted for an American market.
A closer look
The beer girl commands the foreground, her upright pose and direct smile making her both hostess and emblem. Her clothing is constructed from sharply contrasting areas of colour: a vivid red skirt and bodice are relieved by pale fabric and delicate lace trim, with small highlights picking out folds, edges and ornament. The glass in her raised right hand catches the light, its golden contents and foamy head repeated by the cluster of beer glasses in the upper-right portion of the design.
At her left, the goat introduces a note of affectionate comedy. Its dark fur, broken by distinct white markings, is described with short textural strokes that contrast with the smoother treatment of the woman’s face and costume. The animal also broadens the silhouette of the central group, balancing the substantial barrel on the opposite side. Green grass and earthy tones run along the lower edge, while foliage and curling vines frame the figures without creating deep recession; the setting functions less as a naturalistic landscape than as a decorative stage.
Text is integrated into this pictorial structure with considerable force. “GEO. EHRET’S” stretches across the upper section in bright red lettering embellished with decorative flourishes, establishing the name before the eye settles on the figure. Below, “MUNICH BEER GIRL.” identifies the character, while “BREWERY N.Y.” grounds the European-themed scene in its American commercial setting. The hierarchy is carefully judged: company name, appealing figure and product cues can each be grasped quickly, yet the lace, fur, leaves, glassware and barrel emblem reward slower inspection.
Context and significance
Beer advertising of this period often drew upon convivial figures, regional costume and abundant displays of drink rather than presenting the product as an isolated commodity. Schile’s design brings these ingredients together with unusual density. The girl’s theatrical dress, the frothing glasses, the barrel and the playful goat create an entire visual world around the brewery name, associating it with hospitality, tradition and good humour without sacrificing graphic legibility.
The poster is especially engaging for the way it combines portrait-like attention with the blunt effectiveness of advertising. Its central figure has enough detail to sustain close looking, while the emphatic red lettering and compact arrangement retain their impact at a glance. That tension between decorative storytelling and commercial directness is characteristic of the era’s most appealing beverage imagery—and gives Schile’s Munich beer girl a personality extending well beyond the message she was created to promote.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the undefined version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
