Large-tailed Spermophile (Spermophilus macrourus) by John Woodhouse Audubon, 1845
L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Prodotto in Australia
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1845 e stampata in qualità museale. Leggi la storia dietro quest’opera
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If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
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Spermophilus macrourus, Large-tailed Spermophile. Male. Natural size. (1845) by John Woodhouse Audubon captures a quintessential moment in 19th-century natural history art, when...
Continua a leggereSpermophilus macrourus, Large-tailed Spermophile. Male. Natural size. (1845) by John Woodhouse Audubon captures a quintessential moment in 19th-century natural history art, when accuracy and beauty were held in equal regard. The American artist-naturalist—renowned for lifelike wildlife studies—renders the large-tailed spermophile in a poised, alert stance, allowing viewers to appreciate the creature’s form, fur, and proportions. The “natural size” notation reflects the period’s scientific rigor, signaling that this image was measured from life or specimen and intended to educate as much as to delight. Produced in the mid-1840s, it belongs to the celebrated era when Audubon’s family workshop and collaborators were documenting North American fauna for a growing audience of scholars and enthusiasts.
This listing is for a museum-quality fine art print of the artwork, available on acid-free archival paper or on artist’s cotton canvas. Each piece is giclée printed for faithful color and line reproduction and offered in a range of sizes, from intimate study pieces to statement works for larger walls. The Unique Maps Co. can frame your print, add custom margins, and personalize titling or captions (including the Latin binomial), ensuring a tailored presentation that suits your space.
About the artist: John Woodhouse Audubon (1812–1862), son of John James Audubon, was a gifted painter and field observer who helped carry forward his family’s legacy of scientific illustration. His draftsmanship is marked by precision, subtle tonal modeling, and a sensitivity to posture and habitat—qualities that made his mammal studies especially prized among naturalists of the day. His contributions were central to the era’s shift toward empirically grounded depictions of wildlife.
About the subject: Spermophilus macrourus—known here by its period common name, the “large-tailed spermophile”—reflects 19th-century zoological taxonomy and language (spermophile, “seed‑lover”). Works like this expanded public knowledge of North American mammals at a time of accelerated exploration and collecting. The male specimen’s measured scale and careful anatomy speak to the educational intent of the plate, offering both a portrait and a record for study.
Color and design: The palette is richly earthy—warm orange-brown fur set against layered greens and mellow browns of ground and foliage. Fine, short strokes articulate the animal’s striped and textured coat, while broader, softly blended washes in the background recede gently, directing the eye toward the central figure. Smooth, organic lines trace grasses and leaves, suggesting a naturalistic setting without overcrowding the scene. The balanced contrast between the animal’s lit profile and the muted environment heightens clarity, making this an elegant focal point for a study, library, or living room.
This timeless natural history print makes a thoughtful gift for wildlife lovers, biologists and educators, and fans of Victorian zoological illustration. It’s a refined choice for birthdays, housewarmings, Father’s Day or Mother’s Day, or to celebrate a friend’s return from travels in North America—an heirloom-quality piece that brings science, history, and art into harmonious focus.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Spermophilus macrourus, Large-tailed Spermophile. Male. Natural size. (1845) by John Woodhouse Audubon captures a quintessential moment in 19th-century natural history art, when accuracy and beauty were held in equal regard. The American artist-naturalist—renowned for lifelike wildlife studies—renders the large-tailed spermophile in a poised, alert stance, allowing viewers to appreciate the creature’s form, fur, and proportions. The “natural size” notation reflects the period’s scientific rigor, signaling that this image was measured from life or specimen and intended to educate as much as to delight. Produced in the mid-1840s, it belongs to the celebrated era when Audubon’s family workshop and collaborators were documenting North American fauna for a growing audience of scholars and enthusiasts.
This listing is for a museum-quality fine art print of the artwork, available on acid-free archival paper or on artist’s cotton canvas. Each piece is giclée printed for faithful color and line reproduction and offered in a range of sizes, from intimate study pieces to statement works for larger walls. The Unique Maps Co. can frame your print, add custom margins, and personalize titling or captions (including the Latin binomial), ensuring a tailored presentation that suits your space.
About the artist: John Woodhouse Audubon (1812–1862), son of John James Audubon, was a gifted painter and field observer who helped carry forward his family’s legacy of scientific illustration. His draftsmanship is marked by precision, subtle tonal modeling, and a sensitivity to posture and habitat—qualities that made his mammal studies especially prized among naturalists of the day. His contributions were central to the era’s shift toward empirically grounded depictions of wildlife.
About the subject: Spermophilus macrourus—known here by its period common name, the “large-tailed spermophile”—reflects 19th-century zoological taxonomy and language (spermophile, “seed‑lover”). Works like this expanded public knowledge of North American mammals at a time of accelerated exploration and collecting. The male specimen’s measured scale and careful anatomy speak to the educational intent of the plate, offering both a portrait and a record for study.
Color and design: The palette is richly earthy—warm orange-brown fur set against layered greens and mellow browns of ground and foliage. Fine, short strokes articulate the animal’s striped and textured coat, while broader, softly blended washes in the background recede gently, directing the eye toward the central figure. Smooth, organic lines trace grasses and leaves, suggesting a naturalistic setting without overcrowding the scene. The balanced contrast between the animal’s lit profile and the muted environment heightens clarity, making this an elegant focal point for a study, library, or living room.
This timeless natural history print makes a thoughtful gift for wildlife lovers, biologists and educators, and fans of Victorian zoological illustration. It’s a refined choice for birthdays, housewarmings, Father’s Day or Mother’s Day, or to celebrate a friend’s return from travels in North America—an heirloom-quality piece that brings science, history, and art into harmonious focus.
If you're not sure what size to order, or you're looking for a custom order of some kind – a different size, a different colour, a special frame – then please contact me. I usually respond within a few minutes.
You can see an example of my fine art personalisation service in the fifth image. Zoom in and take a look. My personalised artwork is always very well received. Take a look at more examples of personalisation.
You can also choose to age your art print to make it look older. This is popular amongst my customers who want their artwork to look like an older, antique print. You can see an example of ageing in the sixth product image, or go ahead and check out lots of examples of other aged artwork.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
I can print and frame this beautiful piece of art at sizes up to 3 metres (10ft). If you are looking for a size or framing option that isn't available online, please get in touch.
This artwork is available as a giclée print on acid free archival matte paper, or you can buy it framed. My standard frames come in six colours (black, dark brown, dark grey, antique gold, oak and white), and custom framing is available for an additional charge. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Se non sei soddisfatto del tuo ordine per qualsiasi motivo, contattami per un rimborso senza problemi. Si prega di consultare la nostra politica di reso e rimborso per ulteriori informazioni.
Sono molto sicuro che ti piacerà la tua mappa restaurata o la stampa d'arte. Lo faccio dal 1984. Sono un venditore Etsy a 5 stelle. Ho venduto decine di migliaia di mappe e stampe d'arte e ho oltre 5.000 recensioni reali a 5 stelle.
Utilizzo un processo unico per restaurare mappe e opere d'arte che richiede molto tempo e lavoro. Trovare le mappe e le illustrazioni originali può richiedere mesi. Utilizzo tecnologia all'avanguardia e incredibilmente costosa per scannerizzare e restaurarle. Di conseguenza, garantisco che le mie mappe e stampe d'arte siano superiori alle altre - ecco perché posso offrire un rimborso senza problemi.
Quasi tutte le mie mappe e stampe d'arte sembrano fantastiche a grandi dimensioni (200 cm, 6,5 piedi+) e posso anche incorniciarle e consegnarle a te, tramite un corriere speciale per oggetti di grandi dimensioni. Contattami per discutere delle tue esigenze specifiche.
