Rare Old Map of Fenwick Island, Delaware by USGS, 1943: Assawoman Bay, Ocean City & Bethany Beach
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
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Produced by the United States Geological Survey from 1943 survey data, “Assawoman Bay” captures the Delaware–Maryland coast at a revealing moment in...
Continua a leggereProduced by the United States Geological Survey from 1943 survey data, “Assawoman Bay” captures the Delaware–Maryland coast at a revealing moment in its twentieth-century history. Centered on Fenwick Island and the sheltered waters behind the Atlantic barrier, the map presents a landscape poised between maritime wilderness and resort development. At a scale of 1:31,680, it offers a richly detailed view of Assawoman Bay, Little Assawoman Bay, Bethany Beach, Ocean City, and the narrow threads of road, settlement, marsh, and woodland that shaped life along this low coastal margin. Its careful color-coding and contour work evoke the disciplined clarity of mid-century USGS cartography, while preserving the character of a shoreline before later decades of expansion transformed the region.
The map is especially compelling for its treatment of coastal form. Fenwick Island appears not merely as a resort name, but as part of a dynamic barrier system separating the Atlantic Ocean from a network of inland bays, tidal creeks, marshes, and wooded necks. Assawoman Bay and Little Assawoman Bay dominate the composition, their irregular shorelines revealing the shallow, shifting geography of the Delmarva coast. St. Martin’s River winds inland with quiet importance, linking the bays to settlements and agricultural lands beyond the immediate shore. The fine linework traces creeks, inlets, roads, and contours with understated precision, allowing the viewer to read both the natural vulnerability and the geographic richness of this Atlantic edge.
As a USGS topographical map, this sheet belongs to a tradition of practical elegance: a cartographic language designed for accuracy, legibility, and national coverage, yet full of regional personality. Elevation changes are subtle in this flat coastal environment, but the contour lines make those modest rises and depressions meaningful, distinguishing beach ridges, low woods, marshy margins, and settled ground. The color scheme separates water, forest, developed places, and open terrain in a clear, functional style characteristic of the period. Rather than dramatizing the landscape, the map quietly reveals it—showing how roads, villages, bays, and Atlantic frontage were interwoven in a region where even small changes in elevation could shape settlement and access.
The named places give the map a strong historical texture. Fenwick Island, Bethany Beach, and Ocean City mark the emerging resort geography of the coast, while Dickerson, Bayville, East Dublin, Gleys Neck, and Martin’s Neck suggest a more local, rural world of farms, wooded tracts, and waterside communities. The Isle of Wight and St. Martin’s River place the Maryland side of the sheet within a broader network of bayside settlement, while the Atlantic shore hints at the recreational future that would come to define much of the area. Seen through the lens of 1943, these places appear in a quieter configuration, before intensive postwar development, highway growth, and expanding tourism reshaped the shoreline.
Historically, “Assawoman Bay” is a valuable portrait of the Delaware and Maryland coast during the Second World War era, when accurate mapping of American terrain carried both civic and strategic importance. The sheet records infrastructure, settlement patterns, forests, wetlands, and waterways at a time when coastal communities were still comparatively modest and many natural features remained less altered than they would become. For collectors, its appeal lies in that balance: it is a rigorous government survey and a document of place, preserving the pre-boom character of a beloved Atlantic coastline. The result is a map of quiet sophistication, rich in local detail and evocative of a landscape suspended between working coast, natural refuge, and seaside destination.
Cities, towns and places on this map
- Fenwick Island
- Assawoman Bay
- Little Assawoman Bay
- Isle of Wight
- St. Martin's River
- Ocean City
- Bethany Beach
- Dickerson
- Bayville
- Gleys Neck
- Martin's Neck
- East Dublin
- Ocean Atlantic
- Various unnamed coastal features, forests, and waterways
Historical context & cartographic details
- Produced by the US Geological Survey
- Created using survey data from 1943
- Scale: 1:31,680
- Focuses primarily on Fenwick Island, Delaware, and the surrounding coastal area
- Uses color-coding to show different land types and elevations, including water bodies, forests, and urban areas
- Shows coastal topography, islands, nearby bays, and elevation changes through contour lines
- Reflects the geographical and infrastructural state of the area in 1943, before later regional development
- Features color usage and line details typical of USGS topographical maps from this era
Looking for a particular place? Review the detailed images to confirm that the town, landmark or feature you have in mind appears on the map. If you are unsure, ask our workshop to check before you order.
Detailed maps are especially rewarding at larger sizes, where names, boundaries and decorative features have more room to be appreciated. Use the close-up preview and size guide to choose the right scale for your wall.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
Where personalisation is available, you can add a short title or dedication, mark one meaningful place, or request one considered visual detail. See personalised map examples.
Every piece is printed to museum-grade archival standards using fade-resistant pigment inks on acid-free matte paper. Choose an unframed map print, framed map or canvas using the finish options above. Framed maps use crystal-clear optical acrylic and arrive ready to hang.
With its rich detail and strong sense of place, this map makes a considered gift for a new home, anniversary, retirement or anyone with a personal connection to the area shown. Still deciding? Explore our collection of rare old and vintage maps to discover another place, period or style.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Produced by the United States Geological Survey from 1943 survey data, “Assawoman Bay” captures the Delaware–Maryland coast at a revealing moment in its twentieth-century history. Centered on Fenwick Island and the sheltered waters behind the Atlantic barrier, the map presents a landscape poised between maritime wilderness and resort development. At a scale of 1:31,680, it offers a richly detailed view of Assawoman Bay, Little Assawoman Bay, Bethany Beach, Ocean City, and the narrow threads of road, settlement, marsh, and woodland that shaped life along this low coastal margin. Its careful color-coding and contour work evoke the disciplined clarity of mid-century USGS cartography, while preserving the character of a shoreline before later decades of expansion transformed the region.
The map is especially compelling for its treatment of coastal form. Fenwick Island appears not merely as a resort name, but as part of a dynamic barrier system separating the Atlantic Ocean from a network of inland bays, tidal creeks, marshes, and wooded necks. Assawoman Bay and Little Assawoman Bay dominate the composition, their irregular shorelines revealing the shallow, shifting geography of the Delmarva coast. St. Martin’s River winds inland with quiet importance, linking the bays to settlements and agricultural lands beyond the immediate shore. The fine linework traces creeks, inlets, roads, and contours with understated precision, allowing the viewer to read both the natural vulnerability and the geographic richness of this Atlantic edge.
As a USGS topographical map, this sheet belongs to a tradition of practical elegance: a cartographic language designed for accuracy, legibility, and national coverage, yet full of regional personality. Elevation changes are subtle in this flat coastal environment, but the contour lines make those modest rises and depressions meaningful, distinguishing beach ridges, low woods, marshy margins, and settled ground. The color scheme separates water, forest, developed places, and open terrain in a clear, functional style characteristic of the period. Rather than dramatizing the landscape, the map quietly reveals it—showing how roads, villages, bays, and Atlantic frontage were interwoven in a region where even small changes in elevation could shape settlement and access.
The named places give the map a strong historical texture. Fenwick Island, Bethany Beach, and Ocean City mark the emerging resort geography of the coast, while Dickerson, Bayville, East Dublin, Gleys Neck, and Martin’s Neck suggest a more local, rural world of farms, wooded tracts, and waterside communities. The Isle of Wight and St. Martin’s River place the Maryland side of the sheet within a broader network of bayside settlement, while the Atlantic shore hints at the recreational future that would come to define much of the area. Seen through the lens of 1943, these places appear in a quieter configuration, before intensive postwar development, highway growth, and expanding tourism reshaped the shoreline.
Historically, “Assawoman Bay” is a valuable portrait of the Delaware and Maryland coast during the Second World War era, when accurate mapping of American terrain carried both civic and strategic importance. The sheet records infrastructure, settlement patterns, forests, wetlands, and waterways at a time when coastal communities were still comparatively modest and many natural features remained less altered than they would become. For collectors, its appeal lies in that balance: it is a rigorous government survey and a document of place, preserving the pre-boom character of a beloved Atlantic coastline. The result is a map of quiet sophistication, rich in local detail and evocative of a landscape suspended between working coast, natural refuge, and seaside destination.
Cities, towns and places on this map
- Fenwick Island
- Assawoman Bay
- Little Assawoman Bay
- Isle of Wight
- St. Martin's River
- Ocean City
- Bethany Beach
- Dickerson
- Bayville
- Gleys Neck
- Martin's Neck
- East Dublin
- Ocean Atlantic
- Various unnamed coastal features, forests, and waterways
Historical context & cartographic details
- Produced by the US Geological Survey
- Created using survey data from 1943
- Scale: 1:31,680
- Focuses primarily on Fenwick Island, Delaware, and the surrounding coastal area
- Uses color-coding to show different land types and elevations, including water bodies, forests, and urban areas
- Shows coastal topography, islands, nearby bays, and elevation changes through contour lines
- Reflects the geographical and infrastructural state of the area in 1943, before later regional development
- Features color usage and line details typical of USGS topographical maps from this era
Looking for a particular place? Review the detailed images to confirm that the town, landmark or feature you have in mind appears on the map. If you are unsure, ask our workshop to check before you order.
Detailed maps are especially rewarding at larger sizes, where names, boundaries and decorative features have more room to be appreciated. Use the close-up preview and size guide to choose the right scale for your wall.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
Where personalisation is available, you can add a short title or dedication, mark one meaningful place, or request one considered visual detail. See personalised map examples.
Every piece is printed to museum-grade archival standards using fade-resistant pigment inks on acid-free matte paper. Choose an unframed map print, framed map or canvas using the finish options above. Framed maps use crystal-clear optical acrylic and arrive ready to hang.
With its rich detail and strong sense of place, this map makes a considered gift for a new home, anniversary, retirement or anyone with a personal connection to the area shown. Still deciding? Explore our collection of rare old and vintage maps to discover another place, period or style.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Every Unique Maps piece begins with an authentic cartographic source or an original design from our London studio.
For our historic maps, we source rare originals from libraries, archives, auction houses and private collections around the world. We carefully restore each map for print—repairing age-related damage, balancing colour and improving clarity while preserving its original detail, texture and character.
Once restored, the map is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our map prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks, creating a rich, non-glossy finish designed to last. Framed maps use crystal-clear optical acrylic and arrive ready to hang.
Canvas, cotton-rag and other specialist presentations are also available. Learn more about our materials and finishes.
Personalising your map
You can add a short title or dedication, mark one meaningful place, or request one considered visual detail. For personalised designs, we send a proof before printing and you can request changes before approval.
For more complex bespoke commissions, contact our design team.
Original or Aged
Choose Original for true-to-source colour, or Aged for a warmer, richer antique character created with our specialist ageing process. See examples of our Aged maps.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
Oppure cerca qualcosa nel negozio.
