Titled simply “Perth,” this 1851 town plan by J. Rapkin for John Tallis & Company distills the Fair City at a moment of confident mid-Victorian poise. It is a classic Tallis synthesis: a crisply engraved street plan encircled by elegant lettering and decorative cartouches, enlivened by pictorial views of the surrounding landscape. The River Tay—Scotland’s longest—anchors the composition, its broad sweep defining the city’s lineaments and commerce. As a city map, it is especially compelling for how it blends utility with romance: practical annotations of thoroughfares and key buildings paired with vignettes that stage Perth against its hills and water-meadows. The result is both a guide to movement and a portrait of civic identity shaped by river, bridge, and green.

At street level, the plan captures the city’s classic spine-and-river arrangement. High Street—articulated as East High Street and West High Street—runs true as Perth’s mercantile corridor, intersected by Mill Street and Market Street and fed by North Street and South Street. Tay Street tracks the waterfront’s working edge, while Canal Street, Castle Street, and Miln Street compass the dense core. Beyond the historic center, Leonard Street and Wilson Street express orderly expansion, and approaches like Craigie Road and Letham Street signal growing suburban reach. The engraver’s deft labeling of notable buildings gives the urban fabric depth: civic halls, ecclesiastical towers, and commercial houses form a cadence of landmarks that orient the eye and narrate the city’s public life.

Green space is Perth’s signature flourish, and the map sets it off with clarity and grace. The North Inch and South Inch—broad, level meadows long cherished as communal grounds—bookend the urban front along the Tay, their openness dramatizing the river’s breadth and the town’s restraint. Notchty Island punctuates the stream, a mid-channel accent that helps explain the Tay’s braided flow at Perth. Together, the Inches and river read as both amenity and infrastructure: places of recreation, parade, and pasture that also double as natural floodplain and civic stage. The careful plotting of Tay Street opposite these greenswards hints at a proto-promenade sensibility, where trade, travel, and leisure coexisted at the water’s edge.

Rapkin’s composition sets the town against its hinterland with rare pictorial tact. The illustrated landscapes present soft horizons and wooded slopes that frame the city without overwhelming it, underscoring Perth’s role as gateway between Lowlands and Highlands. Outlying names—Cherrybank to the west, Tullybelton Road striking north—trace the city’s ties to estates, farms, and upland routes. College Place and Craigie Road suggest scholastic and residential precincts budding beyond the medieval core, while Castle Street preserves a memory of fortified authority within a modernizing grid. The effect is of a place in balanced transition: old burghal textures giving way to planned avenues, yet still reading as one coherent organism shaped by river, meadow, and trade.

The Tallis-Rapkin partnership is itself part of the map’s allure. John Tallis & Company, publishing from London and New York, perfected the mid-19th-century art-map: engraved plans precise enough for the traveller, but ornamented—through cartouches, borders, and vignettes—to satisfy the collector. Rapkin’s hallmark is evident in the legibility of every line and the measured hierarchy of type, a town plan arranged with almost gazetteer-like clarity. In Perth, their method achieves something especially notable for a city map: it balances topographic fidelity with a painterly sense of place. You see not only where streets and buildings stand, but why the city stands here—and how river, greensward, and road have conspired to make it thrive.

Streets and roads on this map

• Canal Street
• Castle Street
• Cherrybank
• College Place
• Craigie Road
• East High Street
• High Street
• Hight Street
• Letham Street
• Leonard Street
• Market Street
• Miln Street
• Mill Street
• North Street
• North Inch
• South Inch
• South Street
• Tay Street
• Tullybelton Road
• West High Street
• Wilson Street

Notable Features & Landmarks

• Image of the River Tay
• Illustrations of nearby landscapes
• Locations of notable buildings
• Northern and Southern Inches
• Notchty Island

Historical and design context

• Created in 1851 by Tallis & Rapkin; published by John Tallis & Company (London & New York).
• Combines engraved mapping with lithographed images; features ornate lettering and decorative cartouches typical of the era.
• Hand-colored with outline coloring.
• Rapkin’s town plans often carry estimated dates.
• Issued with a complete Index/Gazetteer, bound in a separate volume from the maps.
• Reflects a mid-19th-century trend that treated cartography as both utilitarian and decorative (fine art).

Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.

This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.

This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.

The model in the listing images is holding the 18x24in (45x60cm) version of this map.

The fifth listing image shows an example of my map personalisation service.

If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.

Please contact me to check if a certain location, landmark or feature is shown on this map.

This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.

This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.

This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.

For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.

Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.

Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.

We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.

• We can deliver directly to the recipient
• Framed pieces arrive ready to hang
• Unframed prints are carefully packed in a strong protective tube
• Almost every order is made locally, for faster, safer gifting
• 90-day returns give the recipient time to decide

If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.

Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.

We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.

Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.

Very large framed orders can take a little longer, as they need extra care in production and delivery.

Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.

If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.

Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.

Your order is covered by our 90-day returns policy and 5-year guarantee.

Read our full delivery and local production guide

My standard frame is a gallery style black ash hardwood frame. It is simple and quite modern looking. My standard frame is around 20mm (0.8in) wide.

I use super-clear acrylic (perspex/acrylite) for the frame glass. It's lighter and safer than glass - and it looks better, as the reflectivity is lower.

Six standard frame colours are available for free (black, dark brown, dark grey, oak, white and antique gold). Custom framing and mounting/matting is available if you're looking for something else.

Most maps, art and illustrations are also available as a framed canvas. We use matte (not shiny) cotton canvas, stretch it over a sustainably sourced box wood frame, and then 'float' the piece within a wood frame. The end result is quite beautiful, and there's no glazing to get in the way.

All frames are provided "ready to hang", with either a string or brackets on the back. Very large frames will have heavy duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.

See some examples of my framed maps and framed canvas maps.

Alternatively, I can also supply old maps and artwork on canvas, foam board, cotton rag and other materials.

If you want to frame your map or artwork yourself, please read my size guide first.

My maps are extremely high quality reproductions of original maps.

I source original, rare maps from libraries, auction houses and private collections around the world, restore them at my London workshop, and then use specialist giclée inks and printers to create beautiful maps that look even better than the original.

My maps are printed on acid-free archival matte (not glossy) paper that feels very high quality and almost like card. In technical terms the paper weight/thickness is 10mil/200gsm. It's perfect for framing.

I print with Epson ultrachrome giclée UV fade resistant pigment inks - some of the best inks you can find.

I can also make maps on canvas, cotton rag and other exotic materials.

Learn more about The Unique Maps Co.

Map personalisation

If you're looking for the perfect anniversary or housewarming gift, I can personalise your map to make it truly unique. For example, I can add a short message, or highlight an important location, or add your family's coat of arms.

The options are almost infinite. Please see my map personalisation page for some wonderful examples of what's possible.

To order a personalised map, select "personalise your map" before adding it to your basket.

Get in touch if you're looking for more complex customisations and personalisations.

Map ageing

I have been asked hundreds of times over the years by customers if they could buy a map that looks even older.

Well, now you can, by selecting Aged before you add a map to your basket.

All the product photos you see on this page show the map in its Original form. This is what the map looks like today.

If you select Aged, I will age your map by hand, using a special and unique process developed through years of studying old maps, talking to researchers to understand the chemistry of aging paper, and of course... lots of practice!

If you're unsure, stick to the Original colour of the map. If you want something a bit darker and older looking, go for Aged.

See some amazing examples of Aged maps.

Se non sei soddisfatto del tuo ordine per qualsiasi motivo, contattami per un rimborso senza problemi. Si prega di consultare la nostra politica di reso e rimborso per ulteriori informazioni.

Sono molto sicuro che ti piacerà la tua mappa restaurata o la stampa d'arte. Lo faccio dal 1984. Sono un venditore Etsy a 5 stelle. Ho venduto decine di migliaia di mappe e stampe d'arte e ho oltre 5.000 recensioni reali a 5 stelle.

Utilizzo un processo unico per restaurare mappe e opere d'arte che richiede molto tempo e lavoro. Trovare le mappe e le illustrazioni originali può richiedere mesi. Utilizzo tecnologia all'avanguardia e incredibilmente costosa per scannerizzare e restaurarle. Di conseguenza, garantisco che le mie mappe e stampe d'arte siano superiori alle altre - ecco perché posso offrire un rimborso senza problemi.

Quasi tutte le mie mappe e stampe d'arte sembrano fantastiche a grandi dimensioni (200 cm, 6,5 piedi+) e posso anche incorniciarle e consegnarle a te, tramite un corriere speciale per oggetti di grandi dimensioni. Contattami per discutere delle tue esigenze specifiche.