Rosa inermis by Pierre Joseph Redouté, 1817
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1817 e stampata in qualità museale. Descrizione completa
L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Stampato e incorniciato in Australia
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1817 e stampata in qualità museale. Descrizione completa
Guida alle dimensioni delle mappe
Le mappe con dettagli intricati si apprezzano al meglio in formati più grandi, che permettono di valorizzare maggiormente i toponimi e gli elementi più piccoli. Ogni mappa è realizzata su ordinazione, quindi è disponibile anche il formato personalizzato: seleziona 'custom size' nella pagina prodotto e inserisci le tue dimensioni, oppure aggiungile alle note dell'ordine al momento del checkout.
La tua mappa occupa l'intero foglio, senza alcun bordo bianco aggiuntivo. Il design viene presentato come mostrato nelle immagini del prodotto. Per richiedere spazio extra intorno alla mappa, ti invitiamo a contattarci oppure a lasciare una nota con il tuo ordine.
Confronta qui sotto una selezione dei nostri formati standard, mostrati in orientamento orizzontale e verticale.
| 16x12in (40x30cm) | 20x16in (50x40cm) | 24x18in (60x45cm) |
36x24in (90x60cm) |
| 12x16in (30x40cm) | 16x20in (40x50cm) | 18x24in (45x60cm) |
24x36in (60x90cm) |
Mappe con cornice
Le nostre cornici standard aggiungono circa 2 cm (0,75 in) per lato. Ad esempio, una mappa da 45x60 cm misura circa 49x64 cm cornice inclusa, mentre una mappa da 24x36 in misura circa 25,5x37,5 in. Tieni conto di queste dimensioni esterne quando misuri lo spazio sulla parete.
Le mappe oltre 125 cm/50 in hanno generalmente cornici più larghe. Per una larghezza o uno stile di cornice specifici, scopri le nostre opzioni di incorniciatura personalizzata.
Mappe senza cornice
Hai intenzione di incorniciare la tua mappa autonomamente? Le indicazioni qui sotto ti aiuteranno a scegliere la soluzione giusta, in particolare per mappe di grandi dimensioni e formati meno convenzionali.
Scegliere una cornice adatta
Utilizza le dimensioni indicate per la mappa scelta per selezionare una cornice. Considera la misura dell'opera che la cornice può contenere, piuttosto che le dimensioni esterne della cornice stessa.
Ad esempio, una mappa da 18x24 pollici richiede una cornice che 'fits artwork' di 18x24 pollici. Per una mappa da 60x90 cm, scegli una cornice adatta a un'opera da 60x90 cm.
Per i formati insoliti, come 24x11 pollici (61x29 cm), consigliamo di attendere l'arrivo della mappa prima di ordinare una cornice. Le dimensioni possono variare di qualche millimetro, quindi misurare prima la stampa aiuterà a garantire una perfetta vestibilità.
Per una mappa che deve adattarsi a dimensioni esatte in centimetri o pollici, vi preghiamo di contattarci. Il ridimensionamento su misura è disponibile senza costi aggiuntivi per mappe superiori a 50in/125cm.
Incorniciare mappe di grandi dimensioni
Prima di ordinare una cornice separata per una mappa di grandi dimensioni, attendete l’arrivo della stampa e misuratela. In questo modo avrete le dimensioni necessarie per scegliere una cornice con sicurezza.
Se vi rivolgete a un corniciaio locale, portate con voi la mappa così potrà misurarla e realizzare una cornice su misura.
Un montaggio accurato aiuta le mappe di grandi dimensioni a rimanere ben distese e riduce il rischio di ondulazioni. Per un risultato con finitura professionale, saremo lieti di incorniciare la vostra mappa per voi.
Gift message & custom finish
If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
Every order is custom made, so if you need the size adjusted slightly, or printed on an unusual material, just let us know. We've done thousands of custom orders over the years, so there's (almost) nothing we can't manage.
You can also contact us before you order, if you prefer!
La scelta di collezionisti, designer e di chi cerca un regalo speciale
Oltre 8.000 recensioni a 5 stelle
Pierre-Joseph Redouté’s Rosa Inermis, dating from 1817 and associated with his celebrated series of rose studies produced between 1817 and 1824, presents...
Continua a leggerePierre-Joseph Redouté’s Rosa Inermis, dating from 1817 and associated with his celebrated series of rose studies produced between 1817 and 1824, presents the plant with the composure of a formal portrait. A fully opened pink rose dominates the centre, its densely layered petals accompanied by smaller buds and a branching arrangement of deep green leaves. Set against an unadorned pale ground, the specimen appears both botanically precise and carefully staged, its asymmetrical growth balanced into an exceptionally graceful whole.
Redouté was among the most admired botanical artists of the early nineteenth century, earning the enduring epithet “the painter of flowers”. Working at a time when natural-history illustration served scientific study as well as cultivated taste, he brought unusual refinement to the genre. His rose plates are especially characteristic: each plant is isolated for close examination, yet never reduced to a dry diagram. Structure, colour and botanical information are preserved within compositions whose poise reflects the era’s enthusiasm for flowers as objects of scholarship, collecting and aesthetic pleasure.
A closer look
The eye settles first on the principal bloom, where pale blush tones deepen into warmer pink along the folds and outer edges of the petals. Rather than describing the flower as a simple circular form, Redouté builds it from overlapping, irregular layers. Some petals curl inwards around the crowded centre; others loosen and turn outward, giving the rose a convincing sense of softness and volume. Delicate tonal transitions suggest the thinness of the petals without introducing harsh shadows.
Above the open flower, the smaller buds establish a quiet sequence of growth. Two rise towards the upper left, while another partially opened bud appears to the right. Their compact silhouettes contrast with the expansive central bloom and lead the eye through the upright composition. The leaves are equally attentive studies: serrated edges, branching veins and variations in scale distinguish one cluster from another, while the inclusion of both upper and lower leaf surfaces gives the plant a subtle spatial complexity.
The stem enters from the lower right before dividing across the page, its diagonals preventing the arrangement from becoming rigidly symmetrical. Rich greens range from dark, shaded foliage to lighter, yellow-green passages, providing a cool counterpoint to the rose’s warmer colour. At the lower centre, the elegant inscription “Rosier Turbine sans épines.” identifies the variety in French. Its fine lettering forms a restrained conclusion to the plate, leaving the generous surrounding space to emphasise every contour of the plant.
Context and significance
Rosa Inermis belongs to Redouté’s great early nineteenth-century project devoted to roses, a subject particularly suited to his combination of observation and decorative judgement. Redouté worked for successive royal and imperial patrons in France, including Marie Antoinette and Empress Joséphine, and his career developed at the intersection of courtly flower culture, horticulture and botanical science. The rose studies for which he became best known transformed individual varieties into distinct visual personalities while retaining the clarity required of natural-history illustration.
What makes this plate so compelling is the equilibrium between abundance and restraint. The flower itself is luxuriant, filled with intricate folds and subtle colour, while everything around it remains measured: a few buds, a lucid framework of foliage and an open field of warm cream. The result rewards both botanical attention and purely visual looking, revealing how effectively Redouté could make scientific description and elegant composition speak the same language.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Pierre-Joseph Redouté’s Rosa Inermis, dating from 1817 and associated with his celebrated series of rose studies produced between 1817 and 1824, presents the plant with the composure of a formal portrait. A fully opened pink rose dominates the centre, its densely layered petals accompanied by smaller buds and a branching arrangement of deep green leaves. Set against an unadorned pale ground, the specimen appears both botanically precise and carefully staged, its asymmetrical growth balanced into an exceptionally graceful whole.
Redouté was among the most admired botanical artists of the early nineteenth century, earning the enduring epithet “the painter of flowers”. Working at a time when natural-history illustration served scientific study as well as cultivated taste, he brought unusual refinement to the genre. His rose plates are especially characteristic: each plant is isolated for close examination, yet never reduced to a dry diagram. Structure, colour and botanical information are preserved within compositions whose poise reflects the era’s enthusiasm for flowers as objects of scholarship, collecting and aesthetic pleasure.
A closer look
The eye settles first on the principal bloom, where pale blush tones deepen into warmer pink along the folds and outer edges of the petals. Rather than describing the flower as a simple circular form, Redouté builds it from overlapping, irregular layers. Some petals curl inwards around the crowded centre; others loosen and turn outward, giving the rose a convincing sense of softness and volume. Delicate tonal transitions suggest the thinness of the petals without introducing harsh shadows.
Above the open flower, the smaller buds establish a quiet sequence of growth. Two rise towards the upper left, while another partially opened bud appears to the right. Their compact silhouettes contrast with the expansive central bloom and lead the eye through the upright composition. The leaves are equally attentive studies: serrated edges, branching veins and variations in scale distinguish one cluster from another, while the inclusion of both upper and lower leaf surfaces gives the plant a subtle spatial complexity.
The stem enters from the lower right before dividing across the page, its diagonals preventing the arrangement from becoming rigidly symmetrical. Rich greens range from dark, shaded foliage to lighter, yellow-green passages, providing a cool counterpoint to the rose’s warmer colour. At the lower centre, the elegant inscription “Rosier Turbine sans épines.” identifies the variety in French. Its fine lettering forms a restrained conclusion to the plate, leaving the generous surrounding space to emphasise every contour of the plant.
Context and significance
Rosa Inermis belongs to Redouté’s great early nineteenth-century project devoted to roses, a subject particularly suited to his combination of observation and decorative judgement. Redouté worked for successive royal and imperial patrons in France, including Marie Antoinette and Empress Joséphine, and his career developed at the intersection of courtly flower culture, horticulture and botanical science. The rose studies for which he became best known transformed individual varieties into distinct visual personalities while retaining the clarity required of natural-history illustration.
What makes this plate so compelling is the equilibrium between abundance and restraint. The flower itself is luxuriant, filled with intricate folds and subtle colour, while everything around it remains measured: a few buds, a lucid framework of foliage and an open field of warm cream. The result rewards both botanical attention and purely visual looking, revealing how effectively Redouté could make scientific description and elegant composition speak the same language.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 18x24in (45x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
