Study for the Tiger Hunt by August Macke, 1912
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1912 e stampata in qualità museale. Descrizione completa
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Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
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Restaurato a Londra • Stampato e incorniciato in Australia
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L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1912 e stampata in qualità museale. Descrizione completa
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August Macke’s Entwurf zur Tigerjagd (1912), or “Design for a Tiger Hunt”, compresses animal, hunters and vegetation into a densely animated vertical...
Continua a leggereAugust Macke’s Entwurf zur Tigerjagd (1912), or “Design for a Tiger Hunt”, compresses animal, hunters and vegetation into a densely animated vertical composition. A boldly striped tiger commands the centre, its dark body emerging against a warm beige ground, while smaller human figures gather and move through the lower part of the scene. Rather than describing the hunt through conventional depth and naturalistic detail, Macke builds its drama from overlapping forms, abrupt changes of scale and a vigorous pattern of black, umber and lighter brown.
Macke was a leading German Expressionist associated with Der Blaue Reiter, the Munich-based circle that sought alternatives to academic realism in the years before the First World War. Colour, rhythm and simplification became means of reorganising visible experience rather than merely copying it. Created in 1912, this study belongs to that concentrated period of early twentieth-century experimentation. Its subject may suggest narrative action, but its force lies equally in the way figures and surroundings have been transformed into a decorative, almost tapestry-like arrangement.
A closer look
The tiger forms the composition’s visual hinge. Broad black stripes articulate its body, while finer, fainter lines add a suggestion of fur without softening the animal’s emphatic silhouette. Its position near the centre gives it an imposing presence, yet the surrounding forms press closely around it; there is little open space in which the eye can rest. The result is not a distant spectacle but an encounter made immediate through compression.
Below, several human figures appear in varied poses, their gestures and partially indicated faces suggesting a scene already in motion. Macke does not separate them into a clearly ordered procession. Instead, bodies, limbs and abstract shapes interlock across a patterned lower zone. Overlapping forms provide a measure of depth, but the spatial construction remains deliberately shallow: foreground and background seem folded together across the surface.
The upper left contains stylised vegetation, while darker, less readily legible shapes occupy the right-hand side and help frame the central animal. Throughout, the pale ground acts as an active interval between the dense marks. Smooth passages are set against rougher, more heavily worked areas, and slight tonal variations within the brown and black forms prevent the restricted palette from becoming static. Small scattered marks hint at further incident without resolving every element into a fixed object.
Context and significance
Der Blaue Reiter was not defined by a single uniform style; its artists were united more broadly by an interest in the expressive possibilities of colour and form. Macke’s contribution was distinguished by a lucid sense of design and an ability to turn figures into rhythmic components of a composition. In Entwurf zur Tigerjagd, that impulse is visible even within the deliberately exploratory character of an Entwurf: the scene feels worked out through energetic relationships of mass, contour and tone rather than polished into descriptive finish.
The tiger hunt also allows Macke to move beyond the everyday modern-life subjects for which he is often known. Here, an unfamiliar and dramatic theme becomes the basis for pictorial experiment. The animal’s striped body, the clustered hunters and the fragments of vegetation operate both as narrative elements and as a system of recurring dark accents. It is this dual quality—part unfolding action, part concentrated visual design—that gives the 1912 composition its distinctive tension.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 36x24in (90x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
August Macke’s Entwurf zur Tigerjagd (1912), or “Design for a Tiger Hunt”, compresses animal, hunters and vegetation into a densely animated vertical composition. A boldly striped tiger commands the centre, its dark body emerging against a warm beige ground, while smaller human figures gather and move through the lower part of the scene. Rather than describing the hunt through conventional depth and naturalistic detail, Macke builds its drama from overlapping forms, abrupt changes of scale and a vigorous pattern of black, umber and lighter brown.
Macke was a leading German Expressionist associated with Der Blaue Reiter, the Munich-based circle that sought alternatives to academic realism in the years before the First World War. Colour, rhythm and simplification became means of reorganising visible experience rather than merely copying it. Created in 1912, this study belongs to that concentrated period of early twentieth-century experimentation. Its subject may suggest narrative action, but its force lies equally in the way figures and surroundings have been transformed into a decorative, almost tapestry-like arrangement.
A closer look
The tiger forms the composition’s visual hinge. Broad black stripes articulate its body, while finer, fainter lines add a suggestion of fur without softening the animal’s emphatic silhouette. Its position near the centre gives it an imposing presence, yet the surrounding forms press closely around it; there is little open space in which the eye can rest. The result is not a distant spectacle but an encounter made immediate through compression.
Below, several human figures appear in varied poses, their gestures and partially indicated faces suggesting a scene already in motion. Macke does not separate them into a clearly ordered procession. Instead, bodies, limbs and abstract shapes interlock across a patterned lower zone. Overlapping forms provide a measure of depth, but the spatial construction remains deliberately shallow: foreground and background seem folded together across the surface.
The upper left contains stylised vegetation, while darker, less readily legible shapes occupy the right-hand side and help frame the central animal. Throughout, the pale ground acts as an active interval between the dense marks. Smooth passages are set against rougher, more heavily worked areas, and slight tonal variations within the brown and black forms prevent the restricted palette from becoming static. Small scattered marks hint at further incident without resolving every element into a fixed object.
Context and significance
Der Blaue Reiter was not defined by a single uniform style; its artists were united more broadly by an interest in the expressive possibilities of colour and form. Macke’s contribution was distinguished by a lucid sense of design and an ability to turn figures into rhythmic components of a composition. In Entwurf zur Tigerjagd, that impulse is visible even within the deliberately exploratory character of an Entwurf: the scene feels worked out through energetic relationships of mass, contour and tone rather than polished into descriptive finish.
The tiger hunt also allows Macke to move beyond the everyday modern-life subjects for which he is often known. Here, an unfamiliar and dramatic theme becomes the basis for pictorial experiment. The animal’s striped body, the clustered hunters and the fragments of vegetation operate both as narrative elements and as a system of recurring dark accents. It is this dual quality—part unfolding action, part concentrated visual design—that gives the 1912 composition its distinctive tension.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 36x24in (90x60cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
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- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
