The Times of the Day: Night’s Rest by Alphonse Mucha, 1899
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata nel nostro laboratorio di Londra dall’opera originale del 1899 e stampata in qualità museale. Descrizione completa
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Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.L’offerta del Collezionista
Scegli due opere idonee e ricevi il 20% di sconto su entrambe. Scegline tre e quella al prezzo più basso è in omaggio, con un risparmio massimo del 33%.
Abbina liberamente mappe standard idonee e stampe d’arte fine art. Non è richiesto alcun codice; l’offerta viene applicata automaticamente al checkout.
Sono incluse le configurazioni standard su ordinazione. Sono esclusi formati su misura, design personalizzati e lavori su commissione.
Hai bisogno di consegne a indirizzi diversi? Contattaci prima di effettuare l’ordine.
Restaurato a Londra • Stampato e incorniciato in Australia
Opera d’arte autentica
L’opera d’arte che stampiamo è fedelmente restaurata dalla fonte originale - solitamente un museo, una biblioteca o una collezione privata. Non sostituiamo mai, ridisegniamo o inventiamo l’opera dell’artista usando l’IA generativa.
Restaurata dall’opera originale del 1899 e stampata in qualità museale. Descrizione completa
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Gift message & custom finish
If you want to add a gift message, or a finish (jigsaw, aluminium board, etc.) that is not available here, please request it in the "order note" when you check out.
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Alphonse Mucha’s The Times of the Day – Night’s Rest, created in 1899, presents sleep as an elegant female allegory enclosed within...
Continua a leggereAlphonse Mucha’s The Times of the Day – Night’s Rest, created in 1899, presents sleep as an elegant female allegory enclosed within an ornate, Gothic-window-like frame. The reclining woman rests her head upon folded arms, her pale gown settling around her in long, softly articulated folds. Behind her, a wintry landscape recedes into dusky blue and subdued green, while floral ornament climbs the narrow borders. Figure, season and setting combine to create a nocturnal scene that feels hushed rather than dark.
The panel belongs to a four-part lithographic series devoted to morning, day, evening and night, each moment embodied by a graceful female figure. This union of the human form with natural cycles is characteristic of Mucha’s decorative imagination. One of the defining artists of European Art Nouveau, he developed a distinctive visual language of sinuous contours, abundant botanical motifs and carefully integrated lettering. Here, those elements serve no commercial narrative: they transform an hour of the day into a self-contained poetic mood, shaped by the decorative richness of the Belle Époque.
A closer look
The composition is unusually intimate. Mucha places the woman slightly off-centre, allowing the curve of her body and the sweep of her drapery to interrupt the panel’s strict verticality. Her flowing hair echoes the fabric beneath her, creating a succession of soft lines around the face and shoulders. Gentle highlights pick out her features and the upper folds of the gown, while the surrounding browns and cool greens remain muted. The effect is one of gradual visual quietening, as though the colour itself were settling towards sleep.
Beyond the figure, faint trees and bare branches emerge through a pale, atmospheric distance. The suggestion of a moon in the upper background introduces a cool point of light, but the landscape is deliberately restrained: it functions less as a fully described place than as a winter counterpart to the woman’s repose. Slight tonal variations imply depth without breaking the shallow, decorative space that is central to the design.
The border rewards equally close attention. Intertwined floral forms rise along the sides and gather around the upper corners, where pointed shapes reinforce the resemblance to Gothic tracery. Darker brown inner bands separate this elaborate framework from the softer scene within. At the lower centre, the French title REPOS de la NUIT is set in an elegant serif typeface, its measured geometry balancing the organic movement above; Mucha’s signature appears more discreetly at the lower right. Typography, ornament and figure are conceived as parts of a single graphic structure rather than independent additions.
Context and significance
Mucha’s work helped make the elongated decorative panel one of the most recognisable formats of fin-de-siècle graphic art. His women are often surrounded by flowers, patterned borders and architectural framing, yet they occupy spaces governed by design rather than ordinary perspective. In Night’s Rest, the frame does more than embellish the subject: it separates this allegorical realm from the everyday world and gives the passing hour the formality of a devotional or architectural image.
Seen within The Times of the Day, the panel belongs to a larger meditation on rhythm and transition. Its winter setting, reclining pose and restrained palette distinguish night from the more active phases of the cycle, while Mucha’s flowing line maintains continuity across the series. The result is a particularly quiet expression of Art Nouveau—richly ornamented, yet controlled, with every contour contributing to the atmosphere of restorative stillness.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 36x14in (90x35cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Alphonse Mucha’s The Times of the Day – Night’s Rest, created in 1899, presents sleep as an elegant female allegory enclosed within an ornate, Gothic-window-like frame. The reclining woman rests her head upon folded arms, her pale gown settling around her in long, softly articulated folds. Behind her, a wintry landscape recedes into dusky blue and subdued green, while floral ornament climbs the narrow borders. Figure, season and setting combine to create a nocturnal scene that feels hushed rather than dark.
The panel belongs to a four-part lithographic series devoted to morning, day, evening and night, each moment embodied by a graceful female figure. This union of the human form with natural cycles is characteristic of Mucha’s decorative imagination. One of the defining artists of European Art Nouveau, he developed a distinctive visual language of sinuous contours, abundant botanical motifs and carefully integrated lettering. Here, those elements serve no commercial narrative: they transform an hour of the day into a self-contained poetic mood, shaped by the decorative richness of the Belle Époque.
A closer look
The composition is unusually intimate. Mucha places the woman slightly off-centre, allowing the curve of her body and the sweep of her drapery to interrupt the panel’s strict verticality. Her flowing hair echoes the fabric beneath her, creating a succession of soft lines around the face and shoulders. Gentle highlights pick out her features and the upper folds of the gown, while the surrounding browns and cool greens remain muted. The effect is one of gradual visual quietening, as though the colour itself were settling towards sleep.
Beyond the figure, faint trees and bare branches emerge through a pale, atmospheric distance. The suggestion of a moon in the upper background introduces a cool point of light, but the landscape is deliberately restrained: it functions less as a fully described place than as a winter counterpart to the woman’s repose. Slight tonal variations imply depth without breaking the shallow, decorative space that is central to the design.
The border rewards equally close attention. Intertwined floral forms rise along the sides and gather around the upper corners, where pointed shapes reinforce the resemblance to Gothic tracery. Darker brown inner bands separate this elaborate framework from the softer scene within. At the lower centre, the French title REPOS de la NUIT is set in an elegant serif typeface, its measured geometry balancing the organic movement above; Mucha’s signature appears more discreetly at the lower right. Typography, ornament and figure are conceived as parts of a single graphic structure rather than independent additions.
Context and significance
Mucha’s work helped make the elongated decorative panel one of the most recognisable formats of fin-de-siècle graphic art. His women are often surrounded by flowers, patterned borders and architectural framing, yet they occupy spaces governed by design rather than ordinary perspective. In Night’s Rest, the frame does more than embellish the subject: it separates this allegorical realm from the everyday world and gives the passing hour the formality of a devotional or architectural image.
Seen within The Times of the Day, the panel belongs to a larger meditation on rhythm and transition. Its winter setting, reclining pose and restrained palette distinguish night from the more active phases of the cycle, while Mucha’s flowing line maintains continuity across the series. The result is a particularly quiet expression of Art Nouveau—richly ornamented, yet controlled, with every contour contributing to the atmosphere of restorative stillness.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 36x14in (90x35cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Molte delle nostre mappe e stampe d’arte vengono scelte come regali premurosi per case, uffici, studi e luoghi significativi.
Scegli un’opzione incorniciata per il regalo più semplice, pronto da appendere, oppure scegli una stampa non incorniciata se il destinatario preferisce selezionare la propria cornice.
Realizziamo gli ordini localmente in 23 paesi in tutto il mondo, così i regali possono spesso essere prodotti vicino al destinatario. Questo li aiuta ad arrivare più rapidamente, a viaggiare in maggiore sicurezza e a evitare sorprese legate a dazi doganali o di importazione.
- Possiamo consegnare direttamente al destinatario
- I pezzi incorniciati arrivano pronti da appendere
- Le stampe non incorniciate sono accuratamente imballate in un robusto tubo protettivo
- Quasi ogni ordine viene realizzato localmente, per regali più rapidi e sicuri
- Il reso entro 90 giorni dà al destinatario il tempo di decidere
Se non sei sicuro di cosa scegliere, ti invitiamo a contattarci. Possiamo aiutarti a scegliere la mappa, il formato, la finitura o l’opzione di consegna più adatti.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Lavoriamo con interior designer, realtà del settore hospitality, professionisti del settore immobiliare, uffici e acquirenti aziendali per singoli pezzi e progetti coordinati di più ampia portata.
Quest'opera può essere adattata a una specifica parete, stanza o progetto e il nostro laboratorio può aiutare a coordinare dimensioni, materiale e incorniciatura prima della produzione.
- Dimensioni precise, extra-large e su misura
- Incorniciatura personalizzata, montaggio e materiali alternativi
- Pezzi coordinati per più stanze o sedi
- Personalizzazione dell'opera, per regolarne il colore e lo stile
- Consulenza su arte e incorniciatura da parte del nostro laboratorio
- Produzione locale per progetti in tutto il mondo
Ogni stampa artistica restaurata inizia dall’opera originale dell’artista—mai da una sostituzione generata dall’IA.
Il nostro studio di Londra lavora a partire da materiali di origine accuratamente selezionati da musei, biblioteche, archivi e collezioni private. Restauriamo i danni dovuti all’età, i colori sbiaditi e le imperfezioni di riproduzione, preservando al contempo la composizione, il tratto del pennello, il segno, la texture e il carattere d’epoca dell’artista.
Non utilizziamo l’IA generativa per ridisegnare, reinterpretare o inventare l’opera. Il restauro digitale viene impiegato solo per recuperare e riprodurre l’opera originale nel modo più fedele possibile.
Una volta restaurata, l’opera master viene preparata per il formato e la finitura da te scelti. Il tuo pezzo viene quindi stampato e, se selezionato, incorniciato vicino alla destinazione di consegna.
Le nostre stampe artistiche giclée utilizzano carta opaca archivistica senza acidi da 200 g/m² e inchiostri pigmentati resistenti allo sbiadimento, per una finitura ricca e di qualità museale. Le stampe artistiche incorniciate utilizzano acrilico ottico cristallino e arrivano pronte da appendere.
Sono disponibili anche tele incorniciate ed edizioni speciali su cotone-rag. Scopri di più sui nostri materiali e finiture.
Restauriamo e produciamo mappe e stampe d’arte dal 1984, e garantiamo personalmente ogni pezzo.
Ogni ordine è coperto dalla nostra garanzia di 10 anni e dalla garanzia di consegna senza danni. Se il vostro pezzo arriva danneggiato, lo sostituiremo o lo rifaremo gratuitamente. Se qualsiasi altro aspetto non fosse conforme, contattate il nostro team di laboratorio e provvederemo tempestivamente a risolvere il problema.
Per tutti i dettagli, consultate la nostra politica su resi e rimborsi.
