Duneland Travel Poster: Visit Duneland by Arthur Johnson, 1925
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Add a gift message in your bag, then enter the recipient’s delivery address at checkout. We’ll print your message on a card. No prices are included in the parcel.
Delivery timing
Standard delivery is free worldwide and usually takes around 3 working days. Sending a gift abroad? We make most orders locally, in the recipient’s country.
Allow extra time for design and proof approval on personalised orders. See delivery details.
Returns: Standard orders can be returned or exchanged within 90 days of delivery. Personalised and custom-made pieces are generally excluded from change-of-mind returns. See our returns policy.
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Arthur Johnson’s 1925 travel poster Visit Duneland; 100-minutes from downtown Chicago via South Shore Line presents the Indiana lakeshore as an attainable...
Continue readingArthur Johnson’s 1925 travel poster Visit Duneland; 100-minutes from downtown Chicago via South Shore Line presents the Indiana lakeshore as an attainable retreat of sunlit sand, cool water and dense green foliage. A dark mass of trees occupies the upper left, while the land opens towards a calm expanse of Lake Michigan and a distant, delicately graded horizon. The composition’s appeal lies in this transition from shaded enclosure to luminous space: the landscape seems to unfold before the traveller.
Created for an urban audience during the interwar expansion of regional leisure travel, the poster turns geography into a persuasive promise. Its wording is notably practical as well as evocative. “Duneland” suggests sandy terrain and open shoreline, while “100-minutes from downtown Chicago” converts escape into a manageable journey. The South Shore Line is therefore integral to the message rather than a secondary credit: rail travel made Indiana’s lakeside scenery available to Chicagoans seeking recreation beyond the city.
A closer look
Johnson constructs the scene in clearly differentiated layers. In the foreground, golden-yellow sand slopes gently towards the water, its shallow shadows describing the modest undulations of the dunes. Small touches of purple and green among the low vegetation relieve the broad areas of yellow. Above them, fine dark lines pick out branches and foliage, adding delicacy to otherwise simplified blocks of colour.
The strongest contrast occurs between the shadowed trees and the pale lake beyond. Their deep greens frame a surface of muted blue, where subtle tonal changes suggest reflected light and quiet movement. The sky shifts softly from pale blue towards greenish tones, allowing water and air to meet without a sharply emphatic division. This restrained horizon gives the scene an unusual spaciousness, especially against the more compressed detail of the foreground.
Lettering anchors the landscape’s atmospheric effects to a specific journey. “Visit DUNELAND” is treated as the principal command, its prominent serif characters giving the destination immediate visual weight. Travel details follow at a smaller scale, while “SOUTH SHORE LINE” runs assertively along the base. The hierarchy is direct and economical: first the place, then its accessibility, and finally the railway that will take the traveller there. A narrow border contains both scenery and text, sharpening the poster’s clean, graphic structure.
Context and significance
Travel posters of the 1920s had to communicate at a glance, often in stations or other busy public settings. Johnson’s design answers that requirement through broad colour areas, a limited palette and an easily grasped visual sequence. The dark trees attract attention; the bright beach carries the eye into the distance; and the bold typography converts this moment of looking into an invitation to travel. Rather than catalogue activities or amenities, the poster sells a change of atmosphere—shade, fresh air, open water and an unhurried shoreline.
The choice of landscape is also carefully judged. Chicago itself is absent, yet the city remains an essential off-stage presence in the promise of a journey measured from downtown. Duneland is defined by contrast: not remote wilderness, but scenery close enough for a convenient excursion. Johnson’s poster retains its appeal through that balance of visual serenity and promotional precision, transforming a stretch of Indiana shoreline into a destination at once expansive and remarkably near.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 24x36in (60x90cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Arthur Johnson’s 1925 travel poster Visit Duneland; 100-minutes from downtown Chicago via South Shore Line presents the Indiana lakeshore as an attainable retreat of sunlit sand, cool water and dense green foliage. A dark mass of trees occupies the upper left, while the land opens towards a calm expanse of Lake Michigan and a distant, delicately graded horizon. The composition’s appeal lies in this transition from shaded enclosure to luminous space: the landscape seems to unfold before the traveller.
Created for an urban audience during the interwar expansion of regional leisure travel, the poster turns geography into a persuasive promise. Its wording is notably practical as well as evocative. “Duneland” suggests sandy terrain and open shoreline, while “100-minutes from downtown Chicago” converts escape into a manageable journey. The South Shore Line is therefore integral to the message rather than a secondary credit: rail travel made Indiana’s lakeside scenery available to Chicagoans seeking recreation beyond the city.
A closer look
Johnson constructs the scene in clearly differentiated layers. In the foreground, golden-yellow sand slopes gently towards the water, its shallow shadows describing the modest undulations of the dunes. Small touches of purple and green among the low vegetation relieve the broad areas of yellow. Above them, fine dark lines pick out branches and foliage, adding delicacy to otherwise simplified blocks of colour.
The strongest contrast occurs between the shadowed trees and the pale lake beyond. Their deep greens frame a surface of muted blue, where subtle tonal changes suggest reflected light and quiet movement. The sky shifts softly from pale blue towards greenish tones, allowing water and air to meet without a sharply emphatic division. This restrained horizon gives the scene an unusual spaciousness, especially against the more compressed detail of the foreground.
Lettering anchors the landscape’s atmospheric effects to a specific journey. “Visit DUNELAND” is treated as the principal command, its prominent serif characters giving the destination immediate visual weight. Travel details follow at a smaller scale, while “SOUTH SHORE LINE” runs assertively along the base. The hierarchy is direct and economical: first the place, then its accessibility, and finally the railway that will take the traveller there. A narrow border contains both scenery and text, sharpening the poster’s clean, graphic structure.
Context and significance
Travel posters of the 1920s had to communicate at a glance, often in stations or other busy public settings. Johnson’s design answers that requirement through broad colour areas, a limited palette and an easily grasped visual sequence. The dark trees attract attention; the bright beach carries the eye into the distance; and the bold typography converts this moment of looking into an invitation to travel. Rather than catalogue activities or amenities, the poster sells a change of atmosphere—shade, fresh air, open water and an unhurried shoreline.
The choice of landscape is also carefully judged. Chicago itself is absent, yet the city remains an essential off-stage presence in the promise of a journey measured from downtown. Duneland is defined by contrast: not remote wilderness, but scenery close enough for a convenient excursion. Johnson’s poster retains its appeal through that balance of visual serenity and promotional precision, transforming a stretch of Indiana shoreline into a destination at once expansive and remarkably near.
Choosing the right size and finish
Artwork can feel intimate at smaller sizes and dramatically more architectural at larger ones. Use the room preview, model image and size guide to see how the proportions and scale will work in your space.
If you need an exact size, specialist framing or help planning a larger display, ask our workshop for advice.
The model in the listing images is holding the 24x36in (60x90cm) version of this art print.
Where personalisation is available, you can add a short title or dedication, or one considered visual detail. See examples of personalised artwork.
Choose Original to retain the colour and character of the source artwork, or Aged for a warmer, more antique appearance. See examples of our Aged artwork.
Every piece is produced to archival standards using fade-resistant pigment inks on acid-free matte art paper. Choose an art print, framed art print or framed canvas using the finish options above.
Framed art prints use crystal-clear optical acrylic for excellent clarity, lower weight and safer delivery than glass. Each piece arrives professionally framed and ready to hang.
Selected artworks can be produced at statement sizes up to 3 metres (10ft). Custom sizing and specialist framing are also available. If the exact option you need is not listed, contact our workshop.
This artwork is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The work is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present an art print without glazing in front. See some examples of float framed canvas art and explore the differences between my different finishes.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 24 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 24 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
We work with interior designers, hospitality businesses, property professionals, offices and corporate buyers on individual pieces and larger coordinated projects.
This artwork can be adapted for a particular wall, room or project, and our workshop can help coordinate the dimensions, material and framing before production.
- Exact, oversized and made-to-measure dimensions
- Custom framing, mounting and alternative materials
- Coordinated pieces for several rooms or locations
- Art personalisation, to adjust the colour and style of the piece
- Art and framing guidance from our workshop
- Local production for projects around the world
Every restored art print begins with the original artist’s work—never an AI-generated replacement.
Our London studio works from carefully selected source material from museums, libraries, archives and private collections. We restore age-related damage, faded colour and imperfect reproduction while preserving the artist’s composition, brushwork, line, texture and period character.
We do not use generative AI to redraw, reinterpret or invent the artwork. Digital restoration is used only to recover and reproduce the original work as faithfully as possible.
Once restored, the master artwork is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our giclée art prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks for a rich, museum-quality finish. Framed art prints use crystal-clear optical acrylic and arrive ready to hang.
Framed canvas and specialist cotton-rag editions are also available. Learn more about our materials and finishes.
We’ve been restoring and producing maps and art prints since 1984, and we stand behind every piece.
Every order is covered by our 10-year guarantee and damage-free delivery guarantee. If your piece arrives damaged, we’ll replace or remake it free of charge. If anything else isn’t right, contact our workshop team and we’ll put it right promptly.
See our returns and refund policy for full details.
