Rare Old Civil War Map of Antietam by Michler, 1867: Sharpsburg, Burnside Bridge, Bloody Lane, Dunker Church, Antietam Creek
Restored in our London workshop from the original 1867 map and printed to museum-grade archival standards. Full description
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Choose two eligible works and receive 20% off both. Choose three and the lowest-priced one is complimentary, a maximum saving of 33%.
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Standard made-to-order configurations are included. Bespoke sizes, personalised designs and commissioned work are excluded.
Need delivery to different addresses? Contact us before ordering.The Collector’s Offer
Choose two eligible works and receive 20% off both. Choose three and the lowest-priced one is complimentary, a maximum saving of 33%.
Mix and match eligible standard maps and fine-art prints. No code is required; the offer is applied automatically at checkout.
Standard made-to-order configurations are included. Bespoke sizes, personalised designs and commissioned work are excluded.
Need delivery to different addresses? Contact us before ordering.
Restored in London • Printed and framed in Australia
Restored from the original 1867 map and printed to museum-grade archival standards. Full description
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This 1867 battle plan of Antietam, lithographed by Julius Bien & Co., presents an exacting portrait of Sharpsburg and its countryside just...
Continue readingThis 1867 battle plan of Antietam, lithographed by Julius Bien & Co., presents an exacting portrait of Sharpsburg and its countryside just two years after the Civil War’s end. Every approach road and farm lane is traced, the Washington County Railroad threads the landscape, and individual homesteads are identified by the residents’ names. Fenced fields, orchards, and woodlots are distinguished with meticulous symbols, while drainage and the bends of Antietam Creek are plotted with surveyorly care. Relief by hachures animates the rolling ground, clarifying the ridges and hollows that shaped the day’s fighting. Landmarks central to the battle—Burnside Bridge, Bloody Lane, Dunker’s Chapel, and the National Cemetery—are fixed within a clear, disciplined layout typical of the finest nineteenth-century military cartography.
Historically, Antietam was the crucible of September 17, 1862—the bloodiest single day in American warfare—where George B. McClellan checked Robert E. Lee’s first invasion of the North. The map translates that pivotal narrative onto the ground. In the north, the approaches around Dunker’s Chapel and adjacent fields set the stage for the morning assaults. At mid-day the contested Sunken Road—here marked as Bloody Lane—anchors the center. To the south, the tight defile of Burnside Bridge reveals why repeated Union attempts stalled until late afternoon. The inclusion of the Antietam National Cemetery underscores both the scale of loss and the nation’s early steps toward commemoration, while the proximity of the Potomac River hints at the strategic exits and perils that framed the campaign.
Terrain and movement are the language of this sheet. Hachured slopes show commanding crests and dead ground, explaining lines of fire and avenues of approach better than any text. The meanders of Antietam Creek form a natural barrier, with fords and the iconic bridge carefully noted; beyond, the Potomac provides the theater’s ultimate boundary. Roads radiating into Sharpsburg, along with key supply routes, reveal how both armies fed men and munitions into the fight, while the Washington County Railroad stands out as a logistical artery. Notations of troop paths trace the battle’s phases, and the mosaic of fences, hedgerows, and cultivated fields conveys the friction that slowed advances and channeled formations through narrow gaps, often at terrible cost.
Equally compelling is the intimate civilian geography preserved here. Farms and homesteads appear by name, their properties enclosed by fence lines that read like signatures across the countryside. Villages surrounding Sharpsburg are distinguished from the town’s denser blocks, emphasizing the rural–urban divide of Washington County in the 1860s. Vegetation symbols and contrasting land-use tones separate pasture, tilled fields, and woodland, while the drainage network records springs and streams that sustained both households and armies. This layering personalizes the battlefield, revealing a working landscape suddenly overtaken by war. The later presence of the National Cemetery on the same ground points to how the community’s everyday map became, within a few years, a chart of mourning and national memory.
Crafted by the renowned Julius Bien & Co., the map marries documentary precision with restrained elegance. Its disciplined linework, balanced lettering, and structured composition invite close study, rewarding the eye with clarity at every scale—from county thoroughfares to garden plots. The classic nineteenth-century symbology and hachured relief reflect the era’s best military cartographic practice, while subtle contrasts differentiate land uses and settlement patterns. For collectors, historians, and battlefield travelers, this is both an object of beauty and a working key to understanding Antietam’s tactics and terrain. It situates one of the Civil War’s decisive moments within the lived landscape of Maryland, transforming historical reading into a richly spatial experience.
Places on this map
- Sharpsburg, Maryland
- Burnside Bridge
- Bloody Lane
- Dunker's Chapel
- Washington County Railroad
- National Cemetery
- Antietam Creek
- Potomac River
- Various nearby villages
- Significant roads leading into and out of Sharpsburg
- Farms and homesteads
- Fences surrounding properties
- Areas of vegetation
- Historic landmarks related to the Civil War
- Troop encampment areas
- Key supply routes for the armies
- Notable elevations and valleys
- Urban versus rural divisions in the landscape
Notable Features & Landmarks
- Detailed representations of roads and paths
- Designated residential areas and names of residents
- Fenced areas and agricultural lands
- Vegetation marked to signify types of land use
- Drainage patterns showcased
- Hachured relief demonstrating elevation changes
- Key paths taken by troops during the battle
- Color contrasts between land use types, if applicable
Historical and design context
- Date created: 1867, published shortly after the Civil War
- Mapmaker/Publisher: Julius Bien & Co., a prominent 19th-century lithography firm known for high-quality maps and prints
- Topics/Themes: Detailed physical geography and significant events of the Battle of Antietam, highlighting military movements and landscape features
- Countries/Regions: Sharpsburg and surrounding areas in Maryland, USA
- Design/Style: 19th-century military cartography with hachured relief to illustrate topography and a clear
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
This 1867 battle plan of Antietam, lithographed by Julius Bien & Co., presents an exacting portrait of Sharpsburg and its countryside just two years after the Civil War’s end. Every approach road and farm lane is traced, the Washington County Railroad threads the landscape, and individual homesteads are identified by the residents’ names. Fenced fields, orchards, and woodlots are distinguished with meticulous symbols, while drainage and the bends of Antietam Creek are plotted with surveyorly care. Relief by hachures animates the rolling ground, clarifying the ridges and hollows that shaped the day’s fighting. Landmarks central to the battle—Burnside Bridge, Bloody Lane, Dunker’s Chapel, and the National Cemetery—are fixed within a clear, disciplined layout typical of the finest nineteenth-century military cartography.
Historically, Antietam was the crucible of September 17, 1862—the bloodiest single day in American warfare—where George B. McClellan checked Robert E. Lee’s first invasion of the North. The map translates that pivotal narrative onto the ground. In the north, the approaches around Dunker’s Chapel and adjacent fields set the stage for the morning assaults. At mid-day the contested Sunken Road—here marked as Bloody Lane—anchors the center. To the south, the tight defile of Burnside Bridge reveals why repeated Union attempts stalled until late afternoon. The inclusion of the Antietam National Cemetery underscores both the scale of loss and the nation’s early steps toward commemoration, while the proximity of the Potomac River hints at the strategic exits and perils that framed the campaign.
Terrain and movement are the language of this sheet. Hachured slopes show commanding crests and dead ground, explaining lines of fire and avenues of approach better than any text. The meanders of Antietam Creek form a natural barrier, with fords and the iconic bridge carefully noted; beyond, the Potomac provides the theater’s ultimate boundary. Roads radiating into Sharpsburg, along with key supply routes, reveal how both armies fed men and munitions into the fight, while the Washington County Railroad stands out as a logistical artery. Notations of troop paths trace the battle’s phases, and the mosaic of fences, hedgerows, and cultivated fields conveys the friction that slowed advances and channeled formations through narrow gaps, often at terrible cost.
Equally compelling is the intimate civilian geography preserved here. Farms and homesteads appear by name, their properties enclosed by fence lines that read like signatures across the countryside. Villages surrounding Sharpsburg are distinguished from the town’s denser blocks, emphasizing the rural–urban divide of Washington County in the 1860s. Vegetation symbols and contrasting land-use tones separate pasture, tilled fields, and woodland, while the drainage network records springs and streams that sustained both households and armies. This layering personalizes the battlefield, revealing a working landscape suddenly overtaken by war. The later presence of the National Cemetery on the same ground points to how the community’s everyday map became, within a few years, a chart of mourning and national memory.
Crafted by the renowned Julius Bien & Co., the map marries documentary precision with restrained elegance. Its disciplined linework, balanced lettering, and structured composition invite close study, rewarding the eye with clarity at every scale—from county thoroughfares to garden plots. The classic nineteenth-century symbology and hachured relief reflect the era’s best military cartographic practice, while subtle contrasts differentiate land uses and settlement patterns. For collectors, historians, and battlefield travelers, this is both an object of beauty and a working key to understanding Antietam’s tactics and terrain. It situates one of the Civil War’s decisive moments within the lived landscape of Maryland, transforming historical reading into a richly spatial experience.
Places on this map
- Sharpsburg, Maryland
- Burnside Bridge
- Bloody Lane
- Dunker's Chapel
- Washington County Railroad
- National Cemetery
- Antietam Creek
- Potomac River
- Various nearby villages
- Significant roads leading into and out of Sharpsburg
- Farms and homesteads
- Fences surrounding properties
- Areas of vegetation
- Historic landmarks related to the Civil War
- Troop encampment areas
- Key supply routes for the armies
- Notable elevations and valleys
- Urban versus rural divisions in the landscape
Notable Features & Landmarks
- Detailed representations of roads and paths
- Designated residential areas and names of residents
- Fenced areas and agricultural lands
- Vegetation marked to signify types of land use
- Drainage patterns showcased
- Hachured relief demonstrating elevation changes
- Key paths taken by troops during the battle
- Color contrasts between land use types, if applicable
Historical and design context
- Date created: 1867, published shortly after the Civil War
- Mapmaker/Publisher: Julius Bien & Co., a prominent 19th-century lithography firm known for high-quality maps and prints
- Topics/Themes: Detailed physical geography and significant events of the Battle of Antietam, highlighting military movements and landscape features
- Countries/Regions: Sharpsburg and surrounding areas in Maryland, USA
- Design/Style: 19th-century military cartography with hachured relief to illustrate topography and a clear
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
This map is also available as a float framed canvas, sometimes known as a shadow gap framed canvas or canvas floater. The map is printed on artist's cotton canvas and then stretched over a handmade box frame. We then "float" the canvas inside a wooden frame, which is available in a range of colours (black, dark brown, oak, antique gold and white). This is a wonderful way to present a map without glazing in front. See some examples of float framed canvas maps and explore the differences between my different finishes.
For something truly unique, this map is also available in "Unique 3D", our trademarked process that dramatically transforms the map so that it has a wonderful sense of depth. We combine the original map with detailed topography and elevation data, so that mountains and the terrain really "pop". For more info and examples of 3D maps, check my Unique 3D page.
Many of our maps and art prints are chosen as thoughtful gifts for homes, offices, studies and meaningful places.
Choose a framed option for the easiest ready-to-hang gift, or choose an unframed print if the recipient may prefer to select their own frame.
We make orders locally in 23 countries around the world, so gifts can often be produced close to the recipient. This helps them arrive faster, travel more safely, and avoid customs or import duty surprises.
- We can deliver directly to the recipient
- Framed pieces arrive ready to hang
- Unframed prints are carefully packed in a strong protective tube
- Almost every order is made locally, for faster, safer gifting
- 90-day returns give the recipient time to decide
If you are not sure what to choose, please contact us. We can help you pick the right map, size, finish or delivery option.
Most orders are made locally and delivered in around 2–3 working days, depending on the product, size and destination.
We print and frame maps and artwork in 23 countries around the world, so your order is usually made close to you or your recipient. That means faster delivery, less time in transit, and no customs or import duty surprises.
Personalised and customised pieces usually take an extra 1–2 working days, because we prepare your design and send it to you for approval before printing.
Very large framed orders can take a little longer, as they need extra care in production and delivery.
Every order is carefully packaged: unframed prints are sent in a strong protective tube, while framed pieces are securely packed with protective materials around the frame.
If you need your order by a particular date, please contact us before ordering. We’ll check the best production route and delivery option for your location.
Express delivery is available at checkout for most countries. Next-day delivery is available in the UK, US, Singapore and the UAE.
Your order is covered by our 90-day returns policy and 10-year guarantee.
Our standard frame is a gallery-style black ash hardwood frame, with a simple, modern look. It is approximately 20mm (0.8in) wide. You can also view some lovely customer photos of framed maps and art.
We use super-clear acrylic glazing, also known as Perspex or Acrylite, instead of traditional glass. It is lighter, safer, and has lower reflectivity, giving the artwork a clearer, cleaner appearance.
Six standard frame colours are available at no extra cost: black, dark brown, dark grey, oak, white, and antique gold. Custom framing and mounting/matting is also available for customers looking for something more specific.
Most maps, art prints, and illustrations are also available as a framed canvas. We use matte cotton canvas, stretch it over a sustainably sourced wooden box frame, and then float the piece within a wooden outer frame. The finished result is beautifully presented, with no glazing between you and the artwork.
All frames are supplied ready to hang, with either string or brackets fitted to the back. Very large frames will include heavy-duty hanging plates and/or a mounting baton. If you have any questions, please get in touch.
We can also supply old maps and artwork on canvas, foam board, cotton rag, and other materials.
If you would prefer to frame your map or artwork yourself, please read our size guide before ordering.
Every Unique Maps piece begins with an authentic cartographic source or an original design from our London studio.
For our historic maps, we source rare originals from libraries, archives, auction houses and private collections around the world. We carefully restore each map for print—repairing age-related damage, balancing colour and improving clarity while preserving its original detail, texture and character.
Once restored, the map is prepared for your chosen size and finish. Your piece is then printed and, where selected, framed close to its delivery destination.
Our map prints use acid-free 200gsm archival matte paper and fade-resistant pigment inks, creating a rich, non-glossy finish designed to last. Framed maps use crystal-clear optical acrylic and arrive ready to hang.
Canvas, cotton-rag and other specialist presentations are also available. Learn more about our materials and finishes.
Personalising your map
You can add a short title or dedication, mark one meaningful place, or request one considered visual detail. For personalised designs, we send a proof before printing and you can request changes before approval.
For more complex bespoke commissions, contact our design team.
Original or Aged
Choose Original for true-to-source colour, or Aged for a warmer, richer antique character created with our specialist ageing process. See examples of our Aged maps.
We’ve been restoring and producing maps and art prints since 1984, and we stand behind every piece.
Every order is covered by our 10-year guarantee and damage-free delivery guarantee. If your piece arrives damaged, we’ll replace or remake it free of charge. If anything else isn’t right, contact our workshop team and we’ll put it right promptly.
See our returns and refund policy for full details.
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This 1867 battle plan of Antietam, lithographed by Julius Bien & Co., presents an exacting portrait of Sharpsburg and its countryside just two years after the Civil War’s end. Every approach road and farm lane is traced, the Washington County Railroad threads the landscape, and individual homesteads are identified by the residents’ names. Fenced fields, orchards, and woodlots are distinguished with meticulous symbols, while drainage and the bends of Antietam Creek are plotted with surveyorly care. Relief by hachures animates the rolling ground, clarifying the ridges and hollows that shaped the day’s fighting. Landmarks central to the battle—Burnside Bridge, Bloody Lane, Dunker’s Chapel, and the National Cemetery—are fixed within a clear, disciplined layout typical of the finest nineteenth-century military cartography.
Historically, Antietam was the crucible of September 17, 1862—the bloodiest single day in American warfare—where George B. McClellan checked Robert E. Lee’s first invasion of the North. The map translates that pivotal narrative onto the ground. In the north, the approaches around Dunker’s Chapel and adjacent fields set the stage for the morning assaults. At mid-day the contested Sunken Road—here marked as Bloody Lane—anchors the center. To the south, the tight defile of Burnside Bridge reveals why repeated Union attempts stalled until late afternoon. The inclusion of the Antietam National Cemetery underscores both the scale of loss and the nation’s early steps toward commemoration, while the proximity of the Potomac River hints at the strategic exits and perils that framed the campaign.
Terrain and movement are the language of this sheet. Hachured slopes show commanding crests and dead ground, explaining lines of fire and avenues of approach better than any text. The meanders of Antietam Creek form a natural barrier, with fords and the iconic bridge carefully noted; beyond, the Potomac provides the theater’s ultimate boundary. Roads radiating into Sharpsburg, along with key supply routes, reveal how both armies fed men and munitions into the fight, while the Washington County Railroad stands out as a logistical artery. Notations of troop paths trace the battle’s phases, and the mosaic of fences, hedgerows, and cultivated fields conveys the friction that slowed advances and channeled formations through narrow gaps, often at terrible cost.
Equally compelling is the intimate civilian geography preserved here. Farms and homesteads appear by name, their properties enclosed by fence lines that read like signatures across the countryside. Villages surrounding Sharpsburg are distinguished from the town’s denser blocks, emphasizing the rural–urban divide of Washington County in the 1860s. Vegetation symbols and contrasting land-use tones separate pasture, tilled fields, and woodland, while the drainage network records springs and streams that sustained both households and armies. This layering personalizes the battlefield, revealing a working landscape suddenly overtaken by war. The later presence of the National Cemetery on the same ground points to how the community’s everyday map became, within a few years, a chart of mourning and national memory.
Crafted by the renowned Julius Bien & Co., the map marries documentary precision with restrained elegance. Its disciplined linework, balanced lettering, and structured composition invite close study, rewarding the eye with clarity at every scale—from county thoroughfares to garden plots. The classic nineteenth-century symbology and hachured relief reflect the era’s best military cartographic practice, while subtle contrasts differentiate land uses and settlement patterns. For collectors, historians, and battlefield travelers, this is both an object of beauty and a working key to understanding Antietam’s tactics and terrain. It situates one of the Civil War’s decisive moments within the lived landscape of Maryland, transforming historical reading into a richly spatial experience.
Places on this map
- Sharpsburg, Maryland
- Burnside Bridge
- Bloody Lane
- Dunker's Chapel
- Washington County Railroad
- National Cemetery
- Antietam Creek
- Potomac River
- Various nearby villages
- Significant roads leading into and out of Sharpsburg
- Farms and homesteads
- Fences surrounding properties
- Areas of vegetation
- Historic landmarks related to the Civil War
- Troop encampment areas
- Key supply routes for the armies
- Notable elevations and valleys
- Urban versus rural divisions in the landscape
Notable Features & Landmarks
- Detailed representations of roads and paths
- Designated residential areas and names of residents
- Fenced areas and agricultural lands
- Vegetation marked to signify types of land use
- Drainage patterns showcased
- Hachured relief demonstrating elevation changes
- Key paths taken by troops during the battle
- Color contrasts between land use types, if applicable
Historical and design context
- Date created: 1867, published shortly after the Civil War
- Mapmaker/Publisher: Julius Bien & Co., a prominent 19th-century lithography firm known for high-quality maps and prints
- Topics/Themes: Detailed physical geography and significant events of the Battle of Antietam, highlighting military movements and landscape features
- Countries/Regions: Sharpsburg and surrounding areas in Maryland, USA
- Design/Style: 19th-century military cartography with hachured relief to illustrate topography and a clear
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 100in (250cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.
