La Nuova et Esatta Descrittione della Soria, e Della Terra Santa, crafted by the illustrious Paolo Forlani in 1566, is a masterpiece of cartographic art that captures the essence of the Holy Land and Cyprus. This map, a fine example of the Lafreri School's work, stretches from the Dead Sea and Jerusalem in the south to Aleppo in the north, offering a detailed and evocative depiction of a region steeped in history and religious significance. The map's intricate design and rich historical context make it a coveted piece for collectors and historians alike.
Paolo Forlani, a distinguished member of the Lafreri School, was known for his meticulous and decorative cartographic works. The Lafreri School, active in Rome and Venice from the mid-16th century, produced maps that were often bound into composite atlases tailored to the buyer's interests. Forlani's map is based on earlier works by Waldseemüller and Gastaldi, yet it stands out for its larger size and ornate details, reflecting the evolving cartographic techniques and artistic sensibilities of the period.
The map is a visual journey through the Holy Land, featuring notable cities such as Jerusalem, Damascus, and Aleppo, each marked with historical and religious significance. The terrain is depicted with hilly landscapes and numerous rivers, providing a sense of the region's geography. Cyprus, prominently displayed in the Mediterranean, is shown as a mountainous yet densely settled island, highlighting its strategic and economic importance during the era.
Landmarks such as tombs and tabernacles are meticulously marked, underscoring the map's religious and cultural importance. The inclusion of these sites offers a glimpse into the spiritual landscape of the time, making the map not just a geographical tool but also a document of pilgrimage and devotion. The compass rose in the Mediterranean Sea adds a touch of navigational elegance, guiding the viewer through the intricate details of the map.
The historical significance of this map is profound, as it reflects the early modern period's fascination with the Holy Land. Maps of this region were highly sought after, serving both as tools for navigation and as symbols of religious devotion. Forlani's map, with its rarity and exquisite detail, represents a pinnacle of Renaissance cartography, capturing the imagination and reverence of its contemporary audience and continuing to inspire admiration today.
Cities and towns on this map:
- Holy Land:
- Aleppo
- Damascus
- Jerusalem
- Sidon
- Tyre
- Beirut
- Tripoli
- Nazareth
- Bethlehem
- Gaza
- Jaffa
- Acre
- Tiberias
- Hebron
- Ascalon
- Ashdod
- Ariha (Jericho)
- Caesarea
- Safed
- Hama
- Homs
- Aradus
- Bostra
- Petra
- Gadara
- Pella
- Gerasa
- Philadelphia (Amman)
- Raphia
- Antioch
- Laodicea
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Apamea
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Cyprus:
- Nicosia
- Limassol
- Famagusta
- Larnaca
- Paphos
- Kyrenia
Notable Features & Landmarks:
- Landmarks:
- Tombs and tabernacles are marked on the map.
- Bodies of water:
- Mediterranean Sea (Mare Mediterraneo)
- Dead Sea
- Mountains:
- The terrain appears hilly with numerous mountain ranges depicted.
- Other notable features:
- Compass rose in the Mediterranean Sea.
Historical and design context:
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Name of the map: La Nuova et Esatta Descrittione della Soria, e Della Terra Santa
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Date created: 1566
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Mapmaker/Publisher: Paolo Forlani
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Context about the mapmaker: Paolo Forlani was part of the Lafreri School, a group of mapmakers, engravers, and publishers active in Rome and Venice from ca. 1544 to 1585. The School is named after Antonio Lafreri, a prominent map and printseller.
- Themes and topics shown on the map:
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Political and physical geography: The map depicts the Holy Land and Cyprus, showing political boundaries, towns, and physical features such as rivers and mountains.
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Historical and religious significance: The map includes notable religious sites such as tombs and tabernacles, reflecting the importance of the region in religious history.
- Regions and countries shown on the map:
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Holy Land: Stretching from the Dead Sea and Jerusalem in the south to Aleppo in the north.
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Cyprus: An island in the Mediterranean Sea.
- Design and style:
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Influences: The map is based on Waldseemüller's map of the Holy Land from 1513, and influenced by Giacomo Gastaldi's map of 1548.
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Decorative elements: The map is larger and more decorative compared to earlier maps by Giulio Sanuto.
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Variants: There is another variant of this map with the date in Arabic numerals and small differences in toponyms.
- Historical significance:
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Popularity: Maps of the Holy Land were highly popular during the early modern period.
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Rarity: This particular map is seldom seen on the market and is being offered for the first time.
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Lafreri School: The map is a product of the Lafreri School, known for creating composite atlases with maps that varied widely in style and size.
Please double check the images to make sure that a specific town or place is shown on this map. You can also get in touch and ask us to check the map for you.
This map looks great at every size, but I always recommend going for a larger size if you have space. That way you can easily make out all of the details.
This map looks amazing at sizes all the way up to 50in (125cm). If you are looking for a larger map, please get in touch.
The model in the listing images is holding the 16x20in (40x50cm) version of this map.
The fifth listing image shows an example of my map personalisation service.
If you’re looking for something slightly different, check out my collection of the best old maps to see if something else catches your eye.
Please contact me to check if a certain location, landmark or feature is shown on this map.
This would make a wonderful birthday, Christmas, Father's Day, work leaving, anniversary or housewarming gift for someone from the areas covered by this map.
This map is available as a giclée print on acid free archival matte paper, or you can buy it framed. The frame is a nice, simple black frame that suits most aesthetics. Please get in touch if you'd like a different frame colour or material. My frames are glazed with super-clear museum-grade acrylic (perspex/acrylite), which is significantly less reflective than glass, safer, and will always arrive in perfect condition.